In conjunction with the exhibition All of this and nothing (2011).

We visit Dianna Molzan in her Los Angeles studio in November, 2010. Molzan's paintings explore established tropes in the language of painting by borrowing the techniques of recognizable historical styles, then attempting to overcomemannerism through radical alterations to the picture plane. She deconstructs and then rebuilds her canvases into wholly original forms that experiment with the painting surface to become sculptural in their presentation.