WEBVTT

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And now please join

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me in welcoming to the stage

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Bryan Fuller and David

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Dastmalchian.

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Hi, everybody.

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Thank you for coming out.

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And thank you to the Hammer Museum

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for supporting horror.

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Yes.

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We've got Late Night with the Devil

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tonight and we have The Substance

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tomorrow. So it's wonderful that the

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museum is acknowledging our genre.

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I assume everybody here are horror

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fans.

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It is my favorite genre.

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It is the genre and

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it's really exciting to be back

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at the Hammer. I've sat

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and watched some wonderful films

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here in the past and

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even was part of a piece that was in

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the gallery and now it's exciting

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to be a part of this film that's

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screening here. So thank you

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to the Contenders series.

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It means a lot.

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Thank you.

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And thank you, everybody, for

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showing up tonight.

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So I don't know if.

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Are you all familiar with Grave

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Conversations, the Interview

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series that Dave does

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with Four Titan Caskets?

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No, it's great.

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And in honor of

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the way Dave conducts those

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interviews, which is delightful,

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there's sort of a warm up with

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some random questions

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in the genre.

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The first question is

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Franken, Berry, Count Chocula,

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Boo Fruit, brute.

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All the monsters are represented in

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the cereals, but there is no devil's

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cereal.

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What would you call the Devil cereal

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if there was?

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I love this.

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Raspberry Reagan's

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mayo. Maybe

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a pea soup patty.

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I don't think anybody wants cereal

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that tastes like pea soup.

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Maybe not.

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Okay.

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Fuck kill Mary.

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Demons.

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Monsters.

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Aliens.

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You marry the monsters?

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You fuck the demons

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and kill all aliens.

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Please, Dear God.

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That sounds like Trump culture.

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Yeah,

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you'll see.

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If you were the devil,

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who would you possess

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and what would you have them do?

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Dear God, I possess Clarence Thomas

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and I'd have him start voting

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properly

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or judging properly.

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If you were going to make a deal

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with the devil.

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What deal would you strike?

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Can we get a redo on November?

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Gosh, that's a really that's

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a that's a big existential question.

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So I'm going to make it really

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simple and.

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Fun like that.

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We get to make lots of horror movies

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together.

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I would love that.

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Now to some of my questions about

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the thematic. You were you were

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raised religiously or with

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religion.

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So what does

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the devil mean to you

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growing up in a religious household

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versus what it means to Jack

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Delroy?

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The devil has been

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is like a root in and

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and like pillar in like

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mental health struggles I've had

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since I was a child.

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I was totally

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indoctrinated into a

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really problematic

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and I think, really

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psychically destructive

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view of the human experience

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through the lens of behavior

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that is either rewarded

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or punished with eternal

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damnation or eternal

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Paradise. And so when you

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kind of, you know, fill a seven year

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old's head with that stuff, it has

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effects, lasting effects, cracks

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in the veneer of, you know,

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the psychology of the way a human

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being can develop and looks at their

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experience through the lens of

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questioning every motive in

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questioning, every experience they

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have based upon these kinds of

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fundamental paradigms which have

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been around for thousands of years.

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They're not limited exclusively to,

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you know, evangelical

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Protestantism, but it's the part

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of the buckle of the Bible Belt that

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I was, you know, brought up

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in. And it really

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haunted me. And in an interesting

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way, I

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was a part of a lot of, I think

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some of the different battles

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or struggles that I've confronted

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individually, personally, when

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when when wrestling with

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depression, anxiety, suicidal

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ideation and and just

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mental health battles.

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So in the course

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of my self liberation

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from these concepts and in

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my journey of freedom

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thanks to

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the mental health community, but

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also just communication,

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storytelling,

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movies, literature,

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great books.

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I found coming to be a part of

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this film. Kind of a full circle

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moment for me and Jack,

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I don't think has any of the same

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hang ups. I think he was probably

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raised in a much more like loose

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Midwest reality.

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That phone charging time

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has been going.

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Do we know with the cops.

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Who point a finger?

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No.

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You know, I think it's Satan.

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I think it may be the devil.

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It's fascinating to me

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that it's continued throughout, but

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it didn't like you know, it added

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a weird element to the final where I

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was like.

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I so being

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of that.

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Age were.

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You were raised in a religious

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environment and

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being around and

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the 80s, in part

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when the Satanic panic was really

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reaching a fever pitch.

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Does anybody remember satanic panic

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like people old enough to remember

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this?

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I see a lot of young people and

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I'm glad that you're here.

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But it was crazy.

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And the 80s in particular.

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What do you remember about Satanic

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panic and being raised religious and

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how that affected for

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for those who don't know, for the

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young folks who don't know

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everything was Satan.

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It was all Satan's fault.

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And people would use

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satanic panic as a reason to

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condemn, vilify,

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falsely accused.

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The most famous case was probably

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the McMartin case in the 80s.

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That was a

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a a school

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for for young children.

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And the therapist

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convinced the children that they

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were being molested

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in satanic rituals.

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And it brought down the

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school and it was all false.

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It was all just crazy panic

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because people were looking for a

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boogeyman that didn't exist.

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It was all false.

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This is the crazy thing.

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There wasn't like just a few,

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you know, random.

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There was no documented,

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proven cases of satanic,

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ritualistic abuse,

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sacrifice, etc.

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in the United States in the 1980s.

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Now, was there massive,

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widespread, covered up abuse

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of children ritualistically

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through the papacy?

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100% Was the church

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themselves and was major, powerful

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position.

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People in our government doing

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the stuff that was being,

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you know, falsely

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accused against the witches 100%.

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Is that anything that those of us

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who were witches aren't used to?

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It's been thousands of years of this

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bullshit. But I was

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in Youth

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for Christ, you know, we

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had like a

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a weekly gathering,

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which I not all of it was negative.

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It was a wonderful social

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thing. And I made lots of good

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friends there. And there were times

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talking about spirituality was

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really positive.

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But the weirdest stuff, like they

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had the Kansas

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part of Kansas that I lived in had

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an actual police division dedicated

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to a cult busting

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the like, and they would bring in a

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cop.

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True story, a detective even,

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who told us that you're

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going to go to a concert and you're

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going to see people throwing this

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sign up, then that is their

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recruitment tool to get you to

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join their secret club,

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and they're going to take you out to

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the woods where they kill babies and

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blah, blah, blah, blah. I was like

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and I believed and was caught up in

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all of it. Because you're a child

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who believes what adults tell you

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and greet at that time big,

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you know, religious personalities

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like Mike Warnke, if anyone's

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familiar with he was a huge

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Christian stand up comic who claimed

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to have been a high priest in

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the Church of Satan and who had seen

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babies being murdered and all

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all proven false.

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But it's like, where does that come

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from? Where does that need to

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other to have the enemy

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to have this thing outside of

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myself? Because what it was doing

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truly, when you listened to Between

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the lines and I look back on the

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sermons or the stuff that I was

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taught educated on it was that, you

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know, Queen was part

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of this, that these certain rock

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acts that these certain artists of

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the certain figures.

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They were queer.

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They were, you know,

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had a different persuasion

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politically, maybe sexually,

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maybe all these things that they

293
00:10:06.990 --> 00:10:08.849
were trying to

294
00:10:08.850 --> 00:10:10.199
kill.

295
00:10:10.200 --> 00:10:12.359
This fascinating as a really

296
00:10:12.360 --> 00:10:14.039
dark time to be a kid.

297
00:10:14.040 --> 00:10:16.139
Were the filmmakers aware

298
00:10:16.140 --> 00:10:17.279
of that? Was that part of the

299
00:10:17.280 --> 00:10:19.289
conversation when you were brought

300
00:10:19.290 --> 00:10:21.419
into this movie, or is it kind of

301
00:10:21.420 --> 00:10:24.779
a celebration of a genre.

302
00:10:24.780 --> 00:10:26.039
More a celebration of Joe?

303
00:10:26.040 --> 00:10:27.119
These are guys who are from a

304
00:10:27.120 --> 00:10:28.499
country that has its own share of

305
00:10:28.500 --> 00:10:30.179
problems, but in Australia they just

306
00:10:30.180 --> 00:10:31.439
don't have the gun problem and they

307
00:10:31.440 --> 00:10:32.549
don't have the crazy religion

308
00:10:32.550 --> 00:10:33.989
problem that we have here.

309
00:10:33.990 --> 00:10:35.819
And so I don't think that was a

310
00:10:35.820 --> 00:10:37.499
thing. But they were grateful that I

311
00:10:37.500 --> 00:10:39.689
could bring that layering to

312
00:10:39.690 --> 00:10:41.549
an inform parts of the story

313
00:10:41.550 --> 00:10:43.349
that I wanted to like, you know,

314
00:10:43.350 --> 00:10:45.209
help explore with

315
00:10:45.210 --> 00:10:46.019
that stuff.

316
00:10:46.020 --> 00:10:47.849
I mean, it is a great genre,

317
00:10:47.850 --> 00:10:50.099
the the devil possession

318
00:10:50.100 --> 00:10:52.649
genre, the Satanic genre.

319
00:10:52.650 --> 00:10:54.539
There's a lot of great movies

320
00:10:54.540 --> 00:10:55.319
in this genre.

321
00:10:55.320 --> 00:10:57.329
Rosemary's Baby, any

322
00:10:57.330 --> 00:10:59.189
sort of deal with the devil movies

323
00:10:59.190 --> 00:11:01.139
like Hellraiser

324
00:11:01.140 --> 00:11:03.359
or even The

325
00:11:03.360 --> 00:11:04.360
Witch?

326
00:11:05.550 --> 00:11:07.259
What are your favorites in the

327
00:11:07.260 --> 00:11:08.819
genre? Like coming to this were

328
00:11:08.820 --> 00:11:10.259
like, I get to make one of these

329
00:11:10.260 --> 00:11:11.609
movies because I love them so much.

330
00:11:11.610 --> 00:11:12.809
Like this movie.

331
00:11:12.810 --> 00:11:13.829
Exorcist is.

332
00:11:13.830 --> 00:11:15.539
I mean, that that changed my life

333
00:11:15.540 --> 00:11:17.339
the first time I saw it.

334
00:11:17.340 --> 00:11:18.419
But also,

335
00:11:19.650 --> 00:11:21.509
I mean, my God,

336
00:11:21.510 --> 00:11:23.999
there's been so many really great

337
00:11:24.000 --> 00:11:26.189
possession films over time.

338
00:11:26.190 --> 00:11:27.190
I. Think about

339
00:11:29.320 --> 00:11:31.229
the seat enslaves.

340
00:11:31.230 --> 00:11:32.309
I thought that was so great.

341
00:11:32.310 --> 00:11:34.199
And I love a lot

342
00:11:34.200 --> 00:11:35.729
of the older, like, you know,

343
00:11:35.730 --> 00:11:36.749
classic stuff.

344
00:11:36.750 --> 00:11:38.189
I remember when I was a little kid

345
00:11:38.190 --> 00:11:39.599
seeing White Zombie, which is the

346
00:11:39.600 --> 00:11:41.429
kind of possession movie,

347
00:11:41.430 --> 00:11:43.469
I guess more of a, you know,

348
00:11:43.470 --> 00:11:45.539
control. But I think

349
00:11:46.920 --> 00:11:48.599
I think it's really an interesting

350
00:11:48.600 --> 00:11:51.089
metaphor in horror,

351
00:11:51.090 --> 00:11:53.009
especially for anyone like myself

352
00:11:53.010 --> 00:11:54.509
who's wrestled with or dealt with

353
00:11:55.530 --> 00:11:57.869
battles in addiction.

354
00:11:57.870 --> 00:11:59.549
And I think any of us who you don't

355
00:11:59.550 --> 00:12:00.989
have to have necessarily been an

356
00:12:00.990 --> 00:12:02.819
alcoholic or a drug addict,

357
00:12:02.820 --> 00:12:05.249
but like you've been addicted to

358
00:12:05.250 --> 00:12:07.379
relationships, work,

359
00:12:07.380 --> 00:12:09.539
suffering, fear

360
00:12:09.540 --> 00:12:11.399
and the way that those things

361
00:12:11.400 --> 00:12:13.499
can take over your body and even

362
00:12:13.500 --> 00:12:15.359
feel like, my God, when you look

363
00:12:15.360 --> 00:12:16.949
back on certain behaviors, when you

364
00:12:16.950 --> 00:12:18.329
were in the throes of a really bad

365
00:12:18.330 --> 00:12:19.619
relationship or when you were in the

366
00:12:19.620 --> 00:12:20.789
throes of a really bad,

367
00:12:21.990 --> 00:12:23.729
addictive, you know, point in your

368
00:12:23.730 --> 00:12:26.219
life with food or with whatever,

369
00:12:26.220 --> 00:12:27.869
you felt like you weren't in control

370
00:12:27.870 --> 00:12:28.919
of your body.

371
00:12:28.920 --> 00:12:30.839
That's something so many of us

372
00:12:30.840 --> 00:12:31.739
can relate to.

373
00:12:31.740 --> 00:12:32.740
And I think it's

374
00:12:33.900 --> 00:12:34.859
I think it's horrifying.

375
00:12:34.860 --> 00:12:36.029
And I think it's why it makes for

376
00:12:36.030 --> 00:12:37.259
fun storytelling.

377
00:12:37.260 --> 00:12:38.759
Do you think that's part of the

378
00:12:38.760 --> 00:12:40.619
appeal of these stories is

379
00:12:40.620 --> 00:12:42.299
that when we are in the throes of

380
00:12:42.300 --> 00:12:43.739
addictive behavior or behavior that

381
00:12:43.740 --> 00:12:45.809
feels beyond our control,

382
00:12:45.810 --> 00:12:47.099
it's a nice scapegoat.

383
00:12:47.100 --> 00:12:48.869
That said, Satan did it.

384
00:12:48.870 --> 00:12:50.669
Of course it is.

385
00:12:50.670 --> 00:12:52.349
And that's what's really wonderful

386
00:12:52.350 --> 00:12:53.909
with the way that Colin and Cameron,

387
00:12:53.910 --> 00:12:54.910
you know.

388
00:12:55.870 --> 00:12:58.059
Constructed this and I was

389
00:12:58.060 --> 00:13:00.189
a my biggest voice

390
00:13:00.190 --> 00:13:02.109
coming in on this as a producer on

391
00:13:02.110 --> 00:13:04.389
the film was like a really,

392
00:13:04.390 --> 00:13:05.889
really, really, really, really want

393
00:13:05.890 --> 00:13:08.049
to lean into the

394
00:13:08.050 --> 00:13:09.879
did or did any did she or didn't

395
00:13:09.880 --> 00:13:11.109
she was she or wasn't she?

396
00:13:11.110 --> 00:13:12.489
So that the audience is watching

397
00:13:12.490 --> 00:13:14.259
this being like how much of this is

398
00:13:14.260 --> 00:13:16.239
is an actual girl

399
00:13:16.240 --> 00:13:18.579
possessed by a devil

400
00:13:18.580 --> 00:13:20.449
and how much of this is a man who

401
00:13:20.450 --> 00:13:22.809
has not processed the trauma

402
00:13:22.810 --> 00:13:24.669
of grief, who hasn't processed

403
00:13:24.670 --> 00:13:26.499
the trauma of his mental

404
00:13:26.500 --> 00:13:28.839
fracturing, his alcoholism, etc.,

405
00:13:28.840 --> 00:13:30.939
who is now, because

406
00:13:30.940 --> 00:13:33.069
of the immense and intense

407
00:13:33.070 --> 00:13:34.959
amount of guilt and shame and

408
00:13:34.960 --> 00:13:36.519
pressure that he's carrying on

409
00:13:36.520 --> 00:13:39.459
psychically, starting to like

410
00:13:39.460 --> 00:13:41.289
crack and see that

411
00:13:41.290 --> 00:13:43.059
or experience it that way because it

412
00:13:43.060 --> 00:13:44.019
makes so much more sense.

413
00:13:44.020 --> 00:13:45.899
It's so much easier to go

414
00:13:45.900 --> 00:13:48.609
as the devil you know.

415
00:13:48.610 --> 00:13:49.659
The devil's in all of us.

416
00:13:49.660 --> 00:13:50.979
Sorry.

417
00:13:50.980 --> 00:13:52.299
But I think there's something

418
00:13:52.300 --> 00:13:54.549
interesting about looking

419
00:13:54.550 --> 00:13:56.829
at the Satanism

420
00:13:56.830 --> 00:13:58.899
of this era, which was all

421
00:13:58.900 --> 00:14:02.079
very devil oriented

422
00:14:02.080 --> 00:14:03.909
and sin

423
00:14:03.910 --> 00:14:05.139
oriented.

424
00:14:05.140 --> 00:14:06.849
And this is this is the monster

425
00:14:06.850 --> 00:14:08.379
that's going to lure us and seduces

426
00:14:08.380 --> 00:14:10.299
into, you know,

427
00:14:10.300 --> 00:14:12.009
the temptations of humanity.

428
00:14:12.010 --> 00:14:14.199
And then you look at kind of modern

429
00:14:14.200 --> 00:14:15.200
Satanism.

430
00:14:18.200 --> 00:14:20.450
Which is really

431
00:14:21.860 --> 00:14:23.749
almost more

432
00:14:23.750 --> 00:14:25.609
Christian than extreme

433
00:14:25.610 --> 00:14:27.589
Christianity, in that it is

434
00:14:27.590 --> 00:14:30.289
about a fearless pursuit

435
00:14:30.290 --> 00:14:32.479
of philosophy

436
00:14:32.480 --> 00:14:35.359
and knowledge and pleasure

437
00:14:35.360 --> 00:14:38.030
and tolerance.

438
00:14:39.260 --> 00:14:41.179
What does that juxtaposition say

439
00:14:41.180 --> 00:14:43.939
to you in terms of what the

440
00:14:43.940 --> 00:14:45.919
face of Satanism is now

441
00:14:45.920 --> 00:14:47.959
versus what the face of Satanism was

442
00:14:47.960 --> 00:14:50.059
in the 70s and 80s when this

443
00:14:50.060 --> 00:14:51.289
show was taking place?

444
00:14:51.290 --> 00:14:52.609
I've thought about this stuff a lot

445
00:14:52.610 --> 00:14:53.809
and I've done a lot of research and

446
00:14:53.810 --> 00:14:55.429
I've read all everything from the

447
00:14:55.430 --> 00:14:57.379
Love and, you know, Satanism back

448
00:14:57.380 --> 00:14:58.559
to the, you know, I love.

449
00:14:58.560 --> 00:15:00.469
And I think it's really fascinating,

450
00:15:00.470 --> 00:15:01.969
interesting to study like Huxley and

451
00:15:01.970 --> 00:15:03.109
all the magic, you know,

452
00:15:03.110 --> 00:15:05.089
practitioners of especially

453
00:15:05.090 --> 00:15:07.219
the like the 20th century into

454
00:15:07.220 --> 00:15:08.959
contemporary. But what's happening

455
00:15:08.960 --> 00:15:10.969
with like the Church of Satan

456
00:15:10.970 --> 00:15:12.469
now is it's a completely political

457
00:15:12.470 --> 00:15:13.999
organization that just knows and

458
00:15:14.000 --> 00:15:15.949
understands the power of using the

459
00:15:15.950 --> 00:15:17.419
word religion in the United States

460
00:15:17.420 --> 00:15:19.549
government and thankfully using

461
00:15:19.550 --> 00:15:21.259
that as their own way of weaponizing

462
00:15:21.260 --> 00:15:24.229
against kind of the established

463
00:15:24.230 --> 00:15:25.369
oppressors.

464
00:15:25.370 --> 00:15:26.570
I think that

465
00:15:29.000 --> 00:15:31.339
anything that's dogmatic, I fear

466
00:15:31.340 --> 00:15:33.319
anything that is this is the way

467
00:15:33.320 --> 00:15:35.269
really gets

468
00:15:35.270 --> 00:15:37.159
my ACL's up

469
00:15:37.160 --> 00:15:38.839
a little bit because I just don't

470
00:15:38.840 --> 00:15:41.269
believe there is one way

471
00:15:41.270 --> 00:15:43.039
for all of humanity.

472
00:15:43.040 --> 00:15:44.959
So it doesn't matter to me

473
00:15:44.960 --> 00:15:46.819
what the religion, what the

474
00:15:46.820 --> 00:15:48.589
practice, what the belief system is.

475
00:15:48.590 --> 00:15:50.509
It's really tricky when when when

476
00:15:50.510 --> 00:15:51.510
that

477
00:15:52.970 --> 00:15:54.889
message is

478
00:15:54.890 --> 00:15:56.749
this is the way.

479
00:15:56.750 --> 00:15:58.609
So contemporary

480
00:15:58.610 --> 00:16:01.599
Satanists range from, you know.

481
00:16:01.600 --> 00:16:04.029
Magic users who are prescribing

482
00:16:04.030 --> 00:16:06.129
to the belief that, you know, Satan

483
00:16:06.130 --> 00:16:08.259
is a form of taking a

484
00:16:08.260 --> 00:16:10.779
fucking sledgehammer to

485
00:16:10.780 --> 00:16:12.609
the patriarchal kind

486
00:16:12.610 --> 00:16:14.859
of break it down, established

487
00:16:14.860 --> 00:16:16.059
way of doing things.

488
00:16:16.060 --> 00:16:18.369
Since we went from being

489
00:16:18.370 --> 00:16:20.199
nomadic to agrarian

490
00:16:20.200 --> 00:16:22.209
civilizations and how important

491
00:16:22.210 --> 00:16:24.339
it was to utilize religion,

492
00:16:24.340 --> 00:16:26.439
I think to get people to fall

493
00:16:26.440 --> 00:16:27.819
in line so that they would make sure

494
00:16:27.820 --> 00:16:29.019
and keep in order to the way our

495
00:16:29.020 --> 00:16:30.729
society needed to be structured so

496
00:16:30.730 --> 00:16:32.529
that people would pass out money,

497
00:16:32.530 --> 00:16:34.479
etc., for things all

498
00:16:34.480 --> 00:16:36.369
the way to like knuckleheads

499
00:16:36.370 --> 00:16:37.370
who are like.

500
00:16:38.050 --> 00:16:40.419
You know, as as as dangerous

501
00:16:40.420 --> 00:16:41.649
as Christians can be.

502
00:16:41.650 --> 00:16:43.179
And then it's done. It's everywhere.

503
00:16:43.180 --> 00:16:44.559
I just. I fear dogma.

504
00:16:44.560 --> 00:16:45.489
That's it.

505
00:16:45.490 --> 00:16:47.499
And modern day Satanism is not the

506
00:16:47.500 --> 00:16:49.499
stick and nonviolent.

507
00:16:49.500 --> 00:16:51.369
And not not to

508
00:16:51.370 --> 00:16:53.199
bash Christianity because I consider

509
00:16:53.200 --> 00:16:55.239
myself a satanic Christian,

510
00:16:55.240 --> 00:16:57.339
because I do believe in the tenets

511
00:16:57.340 --> 00:16:59.199
of true Christianity.

512
00:16:59.200 --> 00:17:00.699
And I do believe in the tenets of

513
00:17:00.700 --> 00:17:02.589
modern Satanism,

514
00:17:02.590 --> 00:17:04.629
which is all about tolerance.

515
00:17:04.630 --> 00:17:06.369
There is something about

516
00:17:08.170 --> 00:17:10.449
the the fear

517
00:17:10.450 --> 00:17:12.279
that movies like this are

518
00:17:12.280 --> 00:17:14.379
taking advantage of or having fun

519
00:17:14.380 --> 00:17:15.879
with in this case, because it feels

520
00:17:15.880 --> 00:17:18.129
like it is having fun

521
00:17:18.130 --> 00:17:19.779
with a genre that we're very

522
00:17:19.780 --> 00:17:22.239
familiar with and

523
00:17:22.240 --> 00:17:25.149
and kind of pointing out that

524
00:17:25.150 --> 00:17:27.039
for a lot of religions or

525
00:17:27.040 --> 00:17:28.779
a lot of conservative people or a

526
00:17:28.780 --> 00:17:30.639
lot of small minded people,

527
00:17:30.640 --> 00:17:32.829
the edict for

528
00:17:32.830 --> 00:17:35.139
the flock is don't want

529
00:17:35.140 --> 00:17:37.089
more, don't desire

530
00:17:37.090 --> 00:17:39.069
more. And if you want

531
00:17:39.070 --> 00:17:40.899
more, if you're in pursuit of

532
00:17:40.900 --> 00:17:42.729
more, that that's

533
00:17:42.730 --> 00:17:43.509
a sin.

534
00:17:43.510 --> 00:17:45.189
And you shouldn't want more.

535
00:17:45.190 --> 00:17:46.779
You should be complacent and happy

536
00:17:46.780 --> 00:17:48.789
where you are were

537
00:17:48.790 --> 00:17:51.309
as that seems

538
00:17:51.310 --> 00:17:53.319
antithetical to life.

539
00:17:54.670 --> 00:17:56.739
It's not in our biological nature.

540
00:17:56.740 --> 00:17:59.829
And it's also, I don't think, in our

541
00:17:59.830 --> 00:18:01.689
spiritual nature as

542
00:18:01.690 --> 00:18:03.789
long. I mean, it's all about what

543
00:18:03.790 --> 00:18:05.199
is.

544
00:18:05.200 --> 00:18:06.069
What is your truth?

545
00:18:06.070 --> 00:18:08.019
What is your most authentic

546
00:18:08.020 --> 00:18:09.069
truth?

547
00:18:09.070 --> 00:18:11.589
Jack is so detached

548
00:18:11.590 --> 00:18:13.149
from what is his authentic truth at

549
00:18:13.150 --> 00:18:14.739
this stage in his journey.

550
00:18:14.740 --> 00:18:16.629
That's horrifying.

551
00:18:16.630 --> 00:18:18.489
I have been there before.

552
00:18:18.490 --> 00:18:21.279
I know what it feels like to

553
00:18:21.280 --> 00:18:22.839
be jacked over.

554
00:18:22.840 --> 00:18:25.119
I know what it feels like to be like

555
00:18:25.120 --> 00:18:27.069
doing a play in front

556
00:18:27.070 --> 00:18:28.929
of, you know, hundreds

557
00:18:28.930 --> 00:18:30.909
of people and or

558
00:18:30.910 --> 00:18:32.919
doing, you know, press for something

559
00:18:32.920 --> 00:18:34.749
and presenting a version

560
00:18:34.750 --> 00:18:36.249
of yourself to the outside world

561
00:18:36.250 --> 00:18:38.739
while internally you are completely

562
00:18:38.740 --> 00:18:41.019
collapsing and and and

563
00:18:41.020 --> 00:18:42.669
and have no clue how you're going to

564
00:18:42.670 --> 00:18:44.199
make it to the next day.

565
00:18:44.200 --> 00:18:45.549
And I think that.

566
00:18:47.690 --> 00:18:49.699
We

567
00:18:49.700 --> 00:18:52.069
are, all of us, under this bizarre,

568
00:18:52.070 --> 00:18:54.289
dark, terrifying, tormenting,

569
00:18:54.290 --> 00:18:56.419
universally acknowledged, maybe

570
00:18:56.420 --> 00:18:57.679
not acknowledged. Universally

571
00:18:57.680 --> 00:18:58.729
experienced.

572
00:19:00.240 --> 00:19:03.149
Plague this shadow

573
00:19:03.150 --> 00:19:05.039
that seems determined to convince

574
00:19:05.040 --> 00:19:07.019
all of us that we don't

575
00:19:07.020 --> 00:19:09.539
deserve it, That we don't belong.

576
00:19:09.540 --> 00:19:11.459
That we are alone, that are

577
00:19:11.460 --> 00:19:13.199
suffering, is singular.

578
00:19:13.200 --> 00:19:14.910
That we really don't.

579
00:19:16.680 --> 00:19:18.689
Like all I really

580
00:19:18.690 --> 00:19:20.639
believe to some degree or another,

581
00:19:20.640 --> 00:19:22.079
every one of us throughout the day

582
00:19:22.080 --> 00:19:24.149
and many of us for a large portion

583
00:19:24.150 --> 00:19:25.619
of the day are wrestling with that.

584
00:19:25.620 --> 00:19:27.359
Why? Why the fuck does that have to

585
00:19:27.360 --> 00:19:29.279
be a part of our brains?

586
00:19:29.280 --> 00:19:30.449
We are processing being human

587
00:19:30.450 --> 00:19:32.339
beings. I don't know.

588
00:19:32.340 --> 00:19:34.229
But I do know that when we

589
00:19:34.230 --> 00:19:35.759
can have some fun and we can tell a

590
00:19:35.760 --> 00:19:37.049
story, when we can feel some sorts

591
00:19:37.050 --> 00:19:38.249
of connection with this stuff that

592
00:19:38.250 --> 00:19:39.419
maybe we don't have to feel that

593
00:19:39.420 --> 00:19:41.439
way, you know, for the whole day

594
00:19:41.440 --> 00:19:43.259
at least, maybe for a few minutes

595
00:19:43.260 --> 00:19:45.149
we can go, yeah, we're all

596
00:19:45.150 --> 00:19:47.459
in this shit bag together.

597
00:19:47.460 --> 00:19:49.529
And that's why I love these stories

598
00:19:49.530 --> 00:19:51.539
and I love movies that

599
00:19:51.540 --> 00:19:52.680
are about

600
00:19:54.060 --> 00:19:56.069
fear of the other taking

601
00:19:56.070 --> 00:19:57.809
over because we're all othered in

602
00:19:57.810 --> 00:19:58.859
some way.

603
00:19:58.860 --> 00:20:00.599
Everybody feels like they're an

604
00:20:00.600 --> 00:20:01.469
other.

605
00:20:01.470 --> 00:20:03.719
And if you're turning to

606
00:20:03.720 --> 00:20:05.789
Christianity to feel belonging,

607
00:20:05.790 --> 00:20:07.409
if you're turning to Satan to feel

608
00:20:07.410 --> 00:20:09.269
belonging, however you

609
00:20:09.270 --> 00:20:11.339
can find belonging, seek

610
00:20:11.340 --> 00:20:13.349
it out, because it is

611
00:20:13.350 --> 00:20:14.999
our comfort.

612
00:20:15.000 --> 00:20:16.889
And I want to thank

613
00:20:16.890 --> 00:20:19.049
you for speaking

614
00:20:19.050 --> 00:20:22.049
so honestly and openly about

615
00:20:22.050 --> 00:20:24.179
your past struggles with mental

616
00:20:24.180 --> 00:20:26.429
illness and,

617
00:20:26.430 --> 00:20:28.709
you know, the openness

618
00:20:28.710 --> 00:20:30.269
that you've you've talked about.

619
00:20:30.270 --> 00:20:32.099
That is I think it

620
00:20:32.100 --> 00:20:34.019
helps people to know

621
00:20:34.020 --> 00:20:36.239
that if you're experiencing

622
00:20:36.240 --> 00:20:37.799
depression, if you're experiencing

623
00:20:37.800 --> 00:20:39.689
anxiety, you're not alone in those

624
00:20:39.690 --> 00:20:41.549
things. And you've been beautifully

625
00:20:41.550 --> 00:20:43.109
open and honest about those things

626
00:20:43.110 --> 00:20:44.159
in your past.

627
00:20:44.160 --> 00:20:46.229
And I think that's wonderful.

628
00:20:46.230 --> 00:20:47.230
Thank you.

629
00:20:48.120 --> 00:20:49.120
Thank you.

630
00:20:50.460 --> 00:20:52.949
And present mind, I say,

631
00:20:52.950 --> 00:20:54.959
I mean, it's a daily it's still a

632
00:20:54.960 --> 00:20:56.549
it's a it's a thing that will be

633
00:20:56.550 --> 00:20:58.769
with me until I leave this place.

634
00:20:58.770 --> 00:21:00.419
And that's okay.

635
00:21:00.420 --> 00:21:01.919
That's I don't I don't think there's

636
00:21:01.920 --> 00:21:03.749
a big victory flag that you throw

637
00:21:03.750 --> 00:21:05.579
up when you like feel like you've

638
00:21:05.580 --> 00:21:06.569
just conquered.

639
00:21:06.570 --> 00:21:07.109
When you've had a good.

640
00:21:07.110 --> 00:21:08.639
Day. Yeah. When you have a good day,

641
00:21:08.640 --> 00:21:09.959
do it, though, for sure.

642
00:21:09.960 --> 00:21:10.929
I mean, I treat myself.

643
00:21:10.930 --> 00:21:12.869
This has been a good day and seeing

644
00:21:12.870 --> 00:21:14.729
this crowd, I head up in the

645
00:21:14.730 --> 00:21:16.439
back for a while, you guys.

646
00:21:16.440 --> 00:21:18.029
And it is.

647
00:21:18.030 --> 00:21:19.949
And I also head down here and

648
00:21:19.950 --> 00:21:22.439
I watch your face

649
00:21:22.440 --> 00:21:24.749
when when you see

650
00:21:24.750 --> 00:21:26.579
that Jack is dabbed.

651
00:21:26.580 --> 00:21:27.689
Poor Lily.

652
00:21:27.690 --> 00:21:29.489
That's a fun reaction to watch on

653
00:21:29.490 --> 00:21:30.479
people's faces.

654
00:21:30.480 --> 00:21:31.839
Thank you guys for that.

655
00:21:31.840 --> 00:21:32.789
That is.

656
00:21:32.790 --> 00:21:33.779
What a gift.

657
00:21:33.780 --> 00:21:34.889
We're going to open it up to the

658
00:21:34.890 --> 00:21:36.599
crowd if anybody has questions.

659
00:21:36.600 --> 00:21:38.759
Look like we can't pick

660
00:21:38.760 --> 00:21:41.279
you to answer, there's going to be

661
00:21:41.280 --> 00:21:42.359
folks in.

662
00:21:42.360 --> 00:21:43.709
So get their attention.

663
00:21:43.710 --> 00:21:45.149
Getting your attention.

664
00:21:45.150 --> 00:21:46.229
They will be the one.

665
00:21:48.060 --> 00:21:49.679
Hello. Hi.

666
00:21:49.680 --> 00:21:50.579
Thank you.

667
00:21:50.580 --> 00:21:51.719
Up here. Hi.

668
00:21:51.720 --> 00:21:53.039
I see you. Great.

669
00:21:53.040 --> 00:21:54.929
Hi. First of all, great work on the

670
00:21:54.930 --> 00:21:55.379
film.

671
00:21:55.380 --> 00:21:57.709
Thanks. You did an incredible job.

672
00:21:57.710 --> 00:22:00.419
Thank you. I was wondering, so most

673
00:22:00.420 --> 00:22:02.549
live TV broadcast are obviously shot

674
00:22:02.550 --> 00:22:03.509
multicam.

675
00:22:03.510 --> 00:22:04.799
I was wondering if you guys shot the

676
00:22:04.800 --> 00:22:06.629
film Multicam and if so, if

677
00:22:06.630 --> 00:22:08.789
that affected your performance and

678
00:22:08.790 --> 00:22:10.109
how you approach your performance

679
00:22:10.110 --> 00:22:11.639
knowing it was multi-cam as opposed

680
00:22:11.640 --> 00:22:12.809
to single cam.

681
00:22:12.810 --> 00:22:15.959
Like most films, the cinematographer

682
00:22:15.960 --> 00:22:17.909
and directors

683
00:22:17.910 --> 00:22:19.739
worked really diligently to try and

684
00:22:19.740 --> 00:22:21.419
recreate the feeling and vibe of

685
00:22:21.420 --> 00:22:23.249
watching an episode of, you

686
00:22:23.250 --> 00:22:25.049
know, you name it, Johnny Carson.

687
00:22:25.050 --> 00:22:26.639
ET cetera. In that time period, Dick

688
00:22:26.640 --> 00:22:28.679
Cavett and the

689
00:22:28.680 --> 00:22:30.869
using the big tube TV cameras

690
00:22:30.870 --> 00:22:32.939
as a prop, but also having

691
00:22:32.940 --> 00:22:34.919
like our camera team

692
00:22:34.920 --> 00:22:37.199
with cameras in them and and

693
00:22:37.200 --> 00:22:38.039
manipulating them.

694
00:22:38.040 --> 00:22:39.479
In fact, our camera teams with the

695
00:22:39.480 --> 00:22:42.149
camera operators and crew,

696
00:22:42.150 --> 00:22:44.219
we dressed in period

697
00:22:44.220 --> 00:22:46.409
attire because there was multiple

698
00:22:46.410 --> 00:22:47.339
cameras running.

699
00:22:47.340 --> 00:22:49.079
And so you would inevitably catch

700
00:22:49.080 --> 00:22:51.149
some of the other guys in shot.

701
00:22:51.150 --> 00:22:52.859
And that was so cool.

702
00:22:52.860 --> 00:22:55.439
I loved it. Let's let the frickin

703
00:22:55.440 --> 00:22:57.329
boom dip into frame.

704
00:22:57.330 --> 00:22:59.189
Let's let that feel

705
00:22:59.190 --> 00:23:01.859
authentically, you know, imperfect

706
00:23:01.860 --> 00:23:04.169
the way live television especially

707
00:23:04.170 --> 00:23:05.369
did at that time.

708
00:23:05.370 --> 00:23:07.410
So as a performer,

709
00:23:08.670 --> 00:23:10.559
knowing that in all

710
00:23:10.560 --> 00:23:12.449
those scenes that are on the live

711
00:23:12.450 --> 00:23:14.699
broadcast, I'm playing to

712
00:23:14.700 --> 00:23:16.979
camera, it was fine.

713
00:23:16.980 --> 00:23:18.719
It was totally fine and wonderful

714
00:23:18.720 --> 00:23:21.809
because I never felt like

715
00:23:21.810 --> 00:23:23.759
it would be awkward or weird for

716
00:23:23.760 --> 00:23:26.159
me to be leaning into my awareness

717
00:23:26.160 --> 00:23:27.839
of the cameras and where they were.

718
00:23:27.840 --> 00:23:29.579
Whereas when I'm portraying a

719
00:23:29.580 --> 00:23:31.409
normally in a film

720
00:23:31.410 --> 00:23:33.659
set, I really

721
00:23:33.660 --> 00:23:35.429
technically as an actor find it

722
00:23:35.430 --> 00:23:36.929
important to know where my cameras

723
00:23:36.930 --> 00:23:39.179
are so I can hopefully be giving

724
00:23:39.180 --> 00:23:40.229
directors what they need.

725
00:23:40.230 --> 00:23:42.329
But you definitely don't

726
00:23:42.330 --> 00:23:45.029
want, like

727
00:23:45.030 --> 00:23:47.069
let that energetically

728
00:23:47.070 --> 00:23:48.029
be known.

729
00:23:48.030 --> 00:23:49.259
And then in the behind the scenes

730
00:23:49.260 --> 00:23:50.999
stuff, it was just a single camera,

731
00:23:51.000 --> 00:23:52.000
usually

732
00:23:53.430 --> 00:23:55.469
handheld, and it was really fun

733
00:23:55.470 --> 00:23:56.699
getting to play that way too,

734
00:23:56.700 --> 00:23:58.169
because those were strictly well

735
00:23:58.170 --> 00:24:00.329
choreographed blocking patterns

736
00:24:00.330 --> 00:24:01.469
so that you could feel that kind of

737
00:24:01.470 --> 00:24:03.089
frenetic energy behind the scenes.

738
00:24:05.360 --> 00:24:06.229
Here.

739
00:24:06.230 --> 00:24:08.119
What is your favorite horror movie

740
00:24:09.320 --> 00:24:10.320
for both of you?

741
00:24:12.090 --> 00:24:13.250
If you go for.

742
00:24:14.360 --> 00:24:16.339
Alien, the first Alien is probably

743
00:24:16.340 --> 00:24:17.809
my favorite horror movie and maybe

744
00:24:17.810 --> 00:24:19.969
my favorite movie.

745
00:24:19.970 --> 00:24:22.219
And it's the movie that got me into

746
00:24:22.220 --> 00:24:25.279
loving movies and understanding

747
00:24:25.280 --> 00:24:27.919
the the psychology

748
00:24:27.920 --> 00:24:29.779
of production design.

749
00:24:29.780 --> 00:24:31.219
Because you had a penis headed

750
00:24:31.220 --> 00:24:33.199
monster that

751
00:24:33.200 --> 00:24:35.239
a mother was worth, like was

752
00:24:35.240 --> 00:24:36.739
willing to sacrifice her children

753
00:24:36.740 --> 00:24:38.119
for the giant cock.

754
00:24:38.120 --> 00:24:39.829
And there were like vagina shaped

755
00:24:39.830 --> 00:24:41.689
doors and fallopian tube

756
00:24:41.690 --> 00:24:42.479
shaped ships.

757
00:24:42.480 --> 00:24:45.289
So I loved all of

758
00:24:45.290 --> 00:24:47.119
those aspects and it really turned

759
00:24:47.120 --> 00:24:49.159
me on to the ways

760
00:24:49.160 --> 00:24:51.199
we can tell a story and

761
00:24:51.200 --> 00:24:52.699
how deeply we can cut.

762
00:24:54.500 --> 00:24:55.759
Geiger knew.

763
00:24:55.760 --> 00:24:56.760
Geiger knew.

764
00:24:58.310 --> 00:25:00.829
It's I'm sorry.

765
00:25:00.830 --> 00:25:02.899
It's just it's like a

766
00:25:02.900 --> 00:25:04.579
four way tie.

767
00:25:04.580 --> 00:25:05.580
I think it's

768
00:25:07.370 --> 00:25:09.499
the wolf man.

769
00:25:09.500 --> 00:25:11.659
I think the Texas Chainsaw Massacre

770
00:25:11.660 --> 00:25:12.979
is one of the greatest films ever

771
00:25:12.980 --> 00:25:14.029
made of all time.

772
00:25:14.030 --> 00:25:15.289
It just changed my life.

773
00:25:15.290 --> 00:25:16.939
The Exorcist in a film called

774
00:25:16.940 --> 00:25:17.940
Audition.

775
00:25:18.800 --> 00:25:19.800
Yeah.

776
00:25:22.210 --> 00:25:23.829
Is there a view we're doing one

777
00:25:23.830 --> 00:25:24.249
more.

778
00:25:24.250 --> 00:25:25.389
Is that it?

779
00:25:25.390 --> 00:25:26.949
You're right here.

780
00:25:26.950 --> 00:25:28.059
Okay. Or two.

781
00:25:28.060 --> 00:25:29.199
Hello? Hello?

782
00:25:29.200 --> 00:25:30.789
I'm sorry. Is somebody at the mic?

783
00:25:30.790 --> 00:25:31.839
Yes. Hi. How are you?

784
00:25:31.840 --> 00:25:32.840
Go ahead.

785
00:25:33.190 --> 00:25:35.079
This is where you hear my voice.

786
00:25:35.080 --> 00:25:36.369
Sorry about that.

787
00:25:36.370 --> 00:25:37.419
Just.

788
00:25:37.420 --> 00:25:38.829
Just amazing movie and love.

789
00:25:38.830 --> 00:25:40.479
It's like one of my favorite movies.

790
00:25:40.480 --> 00:25:41.739
I showed it to my brother.

791
00:25:41.740 --> 00:25:43.059
We love it.

792
00:25:43.060 --> 00:25:43.569
Thank you.

793
00:25:43.570 --> 00:25:45.339
We hunted, went back.

794
00:25:45.340 --> 00:25:45.729
We live in.

795
00:25:45.730 --> 00:25:47.589
Mexico City, so that's pretty

796
00:25:47.590 --> 00:25:49.059
cool cinema stuff.

797
00:25:49.060 --> 00:25:50.439
Anyway, thank you, brothers.

798
00:25:52.000 --> 00:25:53.199
I was just wondering what was the

799
00:25:53.200 --> 00:25:55.059
process to just getting to

800
00:25:55.060 --> 00:25:56.060
character like?

801
00:25:57.220 --> 00:25:58.269
Did you looked.

802
00:25:58.270 --> 00:26:00.309
At like any old

803
00:26:00.310 --> 00:26:01.359
videos or.

804
00:26:01.360 --> 00:26:02.619
The magic of YouTube.

805
00:26:02.620 --> 00:26:04.449
I listened to AI

806
00:26:04.450 --> 00:26:06.669
every night before going to bed for

807
00:26:06.670 --> 00:26:07.929
months leading up to going to

808
00:26:07.930 --> 00:26:09.459
production. I just would put on old

809
00:26:09.460 --> 00:26:11.079
episodes of Johnny Carson and Dick

810
00:26:11.080 --> 00:26:12.879
Cavett and Don Lane and even David

811
00:26:12.880 --> 00:26:14.529
Letterman, Conan O'Brien, you name

812
00:26:14.530 --> 00:26:15.909
it. Everything's available on

813
00:26:15.910 --> 00:26:16.809
YouTube now.

814
00:26:16.810 --> 00:26:18.039
So just watch their opening

815
00:26:18.040 --> 00:26:19.029
monologues and watch their

816
00:26:19.030 --> 00:26:20.229
interviews. And there's a

817
00:26:20.230 --> 00:26:21.099
musicality.

818
00:26:21.100 --> 00:26:22.989
There's a kind of rhythmic patter

819
00:26:22.990 --> 00:26:24.369
to the way that, you know,

820
00:26:24.370 --> 00:26:26.319
television, late night hosts

821
00:26:26.320 --> 00:26:28.359
would do their shtick back

822
00:26:28.360 --> 00:26:29.469
in the day, especially.

823
00:26:29.470 --> 00:26:30.909
And I felt like I really wanted to

824
00:26:30.910 --> 00:26:33.039
find that signature

825
00:26:33.040 --> 00:26:34.899
kind of patter for for Jack,

826
00:26:34.900 --> 00:26:36.219
because it's not something that

827
00:26:36.220 --> 00:26:37.599
comes naturally to me.

828
00:26:37.600 --> 00:26:38.769
So it's just like trying to learn

829
00:26:38.770 --> 00:26:39.849
how to play a whole new form of

830
00:26:39.850 --> 00:26:41.709
music if you're a musician, I guess.

831
00:26:49.180 --> 00:26:49.839
Okay.

832
00:26:49.840 --> 00:26:50.840
Okay.

833
00:26:52.000 --> 00:26:53.379
Not to borrow a line from the movie,

834
00:26:53.380 --> 00:26:55.179
but. Good to see you again, David.

835
00:26:55.180 --> 00:26:56.169
Good to see you.

836
00:26:56.170 --> 00:26:57.369
All right.

837
00:26:57.370 --> 00:26:58.689
And since you mentioned not

838
00:26:58.690 --> 00:27:00.519
everything is one way I have

839
00:27:00.520 --> 00:27:02.649
a choice of questions, one related

840
00:27:02.650 --> 00:27:04.509
to De Paul or one

841
00:27:04.510 --> 00:27:06.249
related to thematic themes

842
00:27:06.250 --> 00:27:07.089
throughout the movie.

843
00:27:07.090 --> 00:27:08.589
What was the first question?

844
00:27:08.590 --> 00:27:09.579
The first option.

845
00:27:09.580 --> 00:27:11.439
Related to DePaul University.

846
00:27:11.440 --> 00:27:12.939
The school? Yeah, that's where I go

847
00:27:12.940 --> 00:27:14.079
for it. Yeah, yeah, yeah.

848
00:27:14.080 --> 00:27:15.729
All right, here we go.

849
00:27:15.730 --> 00:27:17.319
You already had made a pact with the

850
00:27:17.320 --> 00:27:19.239
devil since your days at

851
00:27:19.240 --> 00:27:20.240
DePaul.

852
00:27:20.890 --> 00:27:22.809
Did the Blue Devils inspire

853
00:27:22.810 --> 00:27:24.069
you in any way to look at this

854
00:27:24.070 --> 00:27:25.239
script with different eyes?

855
00:27:27.640 --> 00:27:29.619
So for those not in the know, I

856
00:27:29.620 --> 00:27:31.239
attended the theater school, DePaul

857
00:27:31.240 --> 00:27:33.069
University in Chicago.

858
00:27:33.070 --> 00:27:34.929
The mascot for

859
00:27:34.930 --> 00:27:37.749
the DePaul University

860
00:27:37.750 --> 00:27:39.819
teams is the Blue

861
00:27:39.820 --> 00:27:40.959
Demons.

862
00:27:40.960 --> 00:27:43.059
Blue Devils. Blue Demons.

863
00:27:43.060 --> 00:27:43.929
The Blue Devils.

864
00:27:43.930 --> 00:27:44.930
I know that.

865
00:27:46.780 --> 00:27:48.609
No, I don't think the fact

866
00:27:48.610 --> 00:27:51.279
that the mascot of my my college

867
00:27:51.280 --> 00:27:53.199
was a devil influenced

868
00:27:53.200 --> 00:27:54.969
this film in any way or my

869
00:27:54.970 --> 00:27:55.749
performance in it.

870
00:27:55.750 --> 00:27:57.459
But I will say that the training I

871
00:27:57.460 --> 00:27:59.289
received when I was at the theater

872
00:27:59.290 --> 00:28:01.209
school at DePaul absolutely

873
00:28:01.210 --> 00:28:02.889
influenced the way that I approached

874
00:28:02.890 --> 00:28:03.969
playing Jack del Rey.

875
00:28:03.970 --> 00:28:06.159
In fact, this entire film was shot

876
00:28:06.160 --> 00:28:07.299
in many ways, like we were

877
00:28:07.300 --> 00:28:09.189
performing in the stage play and

878
00:28:09.190 --> 00:28:10.809
being on a set like this and getting

879
00:28:10.810 --> 00:28:12.939
the opportunity to just explore

880
00:28:12.940 --> 00:28:15.009
every day a

881
00:28:15.010 --> 00:28:16.869
set with a live band

882
00:28:16.870 --> 00:28:19.389
and, you know, you know, risers,

883
00:28:19.390 --> 00:28:21.759
which is like being in a theater.

884
00:28:21.760 --> 00:28:24.099
It took me back to being in Chicago

885
00:28:24.100 --> 00:28:26.109
and being on stage there

886
00:28:26.110 --> 00:28:27.909
and the tools and tricks that I

887
00:28:27.910 --> 00:28:29.109
learned for how to manipulate

888
00:28:29.110 --> 00:28:30.759
emotional states of being to try and

889
00:28:30.760 --> 00:28:32.169
hopefully authentically convince

890
00:28:32.170 --> 00:28:33.279
people that something might be

891
00:28:33.280 --> 00:28:35.409
really happening to you when

892
00:28:35.410 --> 00:28:37.779
you know it's not.

893
00:28:37.780 --> 00:28:38.619
That's the fun.

894
00:28:38.620 --> 00:28:40.089
That's the magic of this stuff.

895
00:28:40.090 --> 00:28:42.009
So the

896
00:28:42.010 --> 00:28:43.749
experience I had at DePaul lives

897
00:28:43.750 --> 00:28:45.429
with me every time I walk on any

898
00:28:45.430 --> 00:28:47.829
set, any time I start to manifest

899
00:28:47.830 --> 00:28:49.749
a character because of the

900
00:28:49.750 --> 00:28:51.399
history that I got to spend, you

901
00:28:51.400 --> 00:28:53.109
know, invested in everything from

902
00:28:53.110 --> 00:28:55.569
Greek theater to improv to,

903
00:28:55.570 --> 00:28:57.549
you know, doing just

904
00:28:57.550 --> 00:28:59.469
phenomenal work that you

905
00:28:59.470 --> 00:29:01.269
could have only done in a lab space

906
00:29:01.270 --> 00:29:02.559
like that.

907
00:29:02.560 --> 00:29:03.880
I'm always really grateful for it.

908
00:29:05.260 --> 00:29:07.209
I think that's all the time that we

909
00:29:07.210 --> 00:29:09.129
have. So once again, thank you

910
00:29:09.130 --> 00:29:10.599
to the Hammer Museum.

911
00:29:10.600 --> 00:29:11.139
Thank you.

912
00:29:11.140 --> 00:29:12.999
Hammer everyone here

913
00:29:13.000 --> 00:29:15.549
for coming out and supporting horror

914
00:29:15.550 --> 00:29:17.439
as an art form, which it

915
00:29:17.440 --> 00:29:18.369
is.

916
00:29:18.370 --> 00:29:20.619
So enjoy horror for your holidays.

917
00:29:20.620 --> 00:29:21.459
Everybody should see Black

918
00:29:21.460 --> 00:29:23.499
Christmas. It's a perennial.

919
00:29:23.500 --> 00:29:25.329
And see you next time.

920
00:29:25.330 --> 00:29:26.409
Come back for the substance

921
00:29:26.410 --> 00:29:27.459
tomorrow.

922
00:29:27.460 --> 00:29:28.479
Come back for the substance

923
00:29:28.480 --> 00:29:30.519
tomorrow. Thank you

924
00:29:30.520 --> 00:29:31.520
very much.

