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Chris. That was just wonderful.

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I absolutely love this film.

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Can

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We just pause for a second?

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Was it just an earthquake?

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Oh, yes. Sorry.

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Just wanted to make sure that was

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not my.

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I got a text message right before,

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like. Yeah, like alert, but I think

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it was after.

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I was very excited.

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Anyway, I did symbolic.

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Anyway, this film is wonderful,

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but also feels terrifyingly

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familiar.

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I think almost all

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of us have some kind of equivalent

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of a shelf full of, hard

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drives of unfinished projects in our

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life.

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And it's torture.

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Yeah.

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I've got more than this.

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Well, at least me. The question.

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Yeah. What I want to know is, how

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did you break the cycle?

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What was different this time?

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Had why was it that this film

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finally could get finished?

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You know, I think COVID had

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something to do with it.

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I oh,

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do we have to like another

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earthquake?

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Aftershocks.

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Mid mid COVID sort of going through

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the hard drives.

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Actually had some time that I never

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had before to look back at this

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stuff. I think that was a big deal.

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There was a group of people, some

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who I think are here tonight.

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Maybe Adam Goldman is here.

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Where is he?

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There was, some

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people who

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I was friends with and had

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collaborated with before who came

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together, and they

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agreed to help me, and that

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was huge, because then I had

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accountability, and I had people

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sort of who I had to wake up every

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day and answer to, like my editor

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and like Adam, who I was co-writing

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with.

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And I think that was huge because

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when I would try to just do it

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myself and I'd be sitting looking at

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the blinking cursor, I would be

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paralyzed, right?

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But when I had other people who

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took a chance on it and who saw

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even from the most nascent

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short five minute cut of it,

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they said, there's something to

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this, and we want to help you follow

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through. That was like huge.

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I mean, I think that's the only

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reason that I got to the finish line

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was their sustaining

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belief in it, you know.

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Yeah, that.

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That makes.

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Sense. Accountability partners are

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everything, right?

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I mean, for me,

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I think I've really learned that

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I'm, you know, collaboration

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is like, huge.

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I really like to talk about ideas

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out loud. I don't think I'm one of

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those solitary bedroom people who

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can just make stuff alone, you know?

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So you had co-writers?

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I had a co-writer, Adam Goldman.

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He's in the house tonight.

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And he sat for many long hours

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just talking through ideas.

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What do you want to say?

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What are we trying to say here?

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You know.

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Compose the score.

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Well, Adam is, a Swiss army

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knife of many talents.

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So he also composed the score

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and was a producer on the

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film. So he was again one of those

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partners in crime. Who.

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And he would sit for long, long

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periods of time just talking about

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what we were trying to accomplish

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besides just working on it and

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writing and thinking about it.

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So I it is,

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you know, it was invaluable.

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And again, the true reason

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I feel like it got done was the help

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I had. And that extends to my

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editor, Joe Kowski, and the

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producers, Michelle Kerner

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and, Alex Fish and James

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Smith, that that core group of

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people is the only reason it got

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done.

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So yeah,

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teams are essential.

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We're going to go to open it to

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audience questions in a moment.

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So if you want to think of your

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questions, I'll just, ask you one

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more. Yeah.

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I just want to say one more time.

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Thank you so much for inviting us to

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do this, because this is just a very

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big deal for me as a hammer

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member and, you

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know, frequent attender of these

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things. To be up on stage talking to

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you is amazing and surreal.

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This is a total privilege.

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So thank you.

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Well, it's a honor to be able to

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show your film. So thank you.

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Anyway.

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Yeah. So the film is just so full of

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all these really, really great

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characters. You've got Uncle Floyd.

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Yeah, you've got Dan, the grumpy

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record store owner.

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You've got his tattoo friend

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Carrie.

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You've got Herman Leonard.

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Yeah. And especially your dad.

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And a lot of these characters are in

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that period of transition where

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they're moving from one really major

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life phase

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to another phase.

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You do it your transition

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from adolescence to having a full

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time post-college job.

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Yeah. You again, moving your entire

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family from L.A.

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to New York like it's a huge life

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phases.

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IRA Glass in the middle of breaking

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up with his wife.

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Yeah. And David Milch

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having a complete and total identity

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change going from one of the biggest

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people in television ever

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to being a patient with dementia.

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And one of the biggest personalities.

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I mean, that was so startling for me

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when I first met him, he was like,

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you know, he was like a preacher,

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like he would quote from Robert Penn

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Warren and, you know, he was like

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in a room. He was just electric.

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To be around and to see him

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diminished was, was, you know,

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heartbreaking. So yeah.

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Big transition.

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And then Herman Leonard was facing

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his own death and very aware of that

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and really thinking through

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his life. And I love the reveal at

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the end where he reveals, you know,

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has all this wisdom why you should

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do this and you should do that.

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And then at the end, he's like,

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yeah, I was really insecure and I

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didn't do those things. And you're

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like, oh yeah.

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But even what, you know,

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every time I rewatch it, like he's

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still talking to Lenny Kravitz

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and like, I should have done this.

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And I'm saying he still has the

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self-doubt. Like, there's no

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mastery. It never arrives.

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Like he's still just making

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something and trying and trying to

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make the perfect photo.

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So I, I so identify with that

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torture because it never goes away,

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you know.

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So but maybe for David Milch.

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Right.

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But he's one of the few.

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Exactly.

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Well, I was wondering if that was at

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all intentional.

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That sort of like major life phases.

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Well, I think in a funny

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way, I've watched it at different

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times, and I see it almost as

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one life told through a bunch of

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life lives, you know, that there's

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like, you know, me young

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and then me older,

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looking back at my young self.

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And then these men, you

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know, who are almost at these

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transitional moments.

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I think that

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those were moments that were the

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most sort of rich to be talking

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about, and those were carrying the

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biggest themes.

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And so, yes, it was sort of

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intentional, but I also think there

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was a balance we were always trying

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to strike to of like too much of me

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or, you know, let's, let's get,

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let's get rid of me for a while and

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listen to these characters.

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And we didn't want it to be a sort

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of navel gazing,

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narcissistic nightmare, you know,

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three ends. I just invented that.

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But we.

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So we were always trying to balance

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that thing. And at one point there

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was a cut where I wasn't in enough.

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I had sort of taken myself too far

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out of it. And then it wasn't, you

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know, we got some feedback.

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Hey, listen, this isn't going to be

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as you're not going to identify

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with it as much if you're not in it

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more. So we were always trying to

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find that balance, and

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connect those big transitions

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between the different characters.

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So.

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Well, it's edited together

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beautifully. Thank you so much.

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Footage and actually distilled

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into a really clear.

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Yes. And again, my editor, Jo, is,

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is one of those sort

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of geniuses and has made

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edited many films that

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Garry Shandling film that he did

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with Judd Apatow, he did the montage

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of heck, the Kurt Cobain film,

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with Brett Morgen.

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I mean, he's he's a he's

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a genius.

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So I was very lucky to

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work with him.

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Well, fantastic.

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Let's take some audience questions.

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So we're going to alternate one side

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to the other side.

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So just put up your hand and an

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usher is going to bring you a

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microphone.

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We have a question right there.

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On the move.

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I just want to revisit that.

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We had an earthquake at the end of

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the film. I'm sorry.

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I'm just taking that in for a

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second. Sorry. Yes.

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Was there any footage that

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got away from you?

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Anything that you, you know,

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over the course of your career, you

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thought, oh, I know where that is.

284
00:08:16.620 --> 00:08:18.509
And then you couldn't find it?

285
00:08:18.510 --> 00:08:19.979
Yeah. No, I mean, this was

286
00:08:19.980 --> 00:08:21.299
heartbreaking. You know, the Herman

287
00:08:21.300 --> 00:08:22.919
Leonard stuff. One of the really

288
00:08:22.920 --> 00:08:25.139
crushing details is that

289
00:08:25.140 --> 00:08:26.459
there came a point where we didn't

290
00:08:26.460 --> 00:08:28.289
have the camera masters for all of

291
00:08:28.290 --> 00:08:29.579
it, and some of them were avid

292
00:08:29.580 --> 00:08:31.019
files, and we had to suppress them.

293
00:08:31.020 --> 00:08:32.069
They don't look that great.

294
00:08:32.070 --> 00:08:33.149
And sometimes I'm watching them.

295
00:08:33.150 --> 00:08:34.709
I'm like, oh my God.

296
00:08:34.710 --> 00:08:36.089
But there was a point at which that

297
00:08:36.090 --> 00:08:38.099
footage almost, we were questioning

298
00:08:38.100 --> 00:08:39.329
whether it was usable or not, which

299
00:08:39.330 --> 00:08:41.038
would have lost whole segments of

300
00:08:41.039 --> 00:08:42.039
the film.

301
00:08:43.110 --> 00:08:44.669
And there were also other stories

302
00:08:44.670 --> 00:08:45.719
that didn't make it in, you know,

303
00:08:45.720 --> 00:08:47.309
that there's a funny.

304
00:08:48.350 --> 00:08:50.269
This. This town in new Jersey

305
00:08:50.270 --> 00:08:52.369
has a, DuPont munitions

306
00:08:52.370 --> 00:08:53.719
factory that's been there for 100

307
00:08:53.720 --> 00:08:54.619
years.

308
00:08:54.620 --> 00:08:56.929
And they literally make the

309
00:08:56.930 --> 00:08:58.759
bullets and bombs for wars

310
00:08:58.760 --> 00:08:59.749
for the last hundred years, and

311
00:08:59.750 --> 00:09:01.519
they've poisoned the groundwater,

312
00:09:01.520 --> 00:09:03.049
and there's like a cancer cluster

313
00:09:03.050 --> 00:09:05.329
there. And it's this whole batshit

314
00:09:05.330 --> 00:09:07.349
crazy story that I also wanted to

315
00:09:07.350 --> 00:09:08.659
turducken in there.

316
00:09:08.660 --> 00:09:10.189
And it just was going to take film

317
00:09:10.190 --> 00:09:11.239
documentary.

318
00:09:11.240 --> 00:09:12.349
Maybe we'll do a series on this.

319
00:09:12.350 --> 00:09:14.179
But, so yes, there

320
00:09:14.180 --> 00:09:15.559
was footage that definitely was

321
00:09:15.560 --> 00:09:16.909
decaying. There were hard drives

322
00:09:16.910 --> 00:09:17.749
that couldn't be recovered.

323
00:09:17.750 --> 00:09:19.759
There was things that I knew.

324
00:09:19.760 --> 00:09:20.869
So I have become kind of a

325
00:09:20.870 --> 00:09:23.029
compulsive, you know,

326
00:09:23.030 --> 00:09:25.579
hard drive updater and,

327
00:09:25.580 --> 00:09:26.869
you know, transferring to new hard

328
00:09:26.870 --> 00:09:27.589
drives all the time.

329
00:09:27.590 --> 00:09:28.759
So I always thought that should be a

330
00:09:28.760 --> 00:09:30.499
business where you can just drop off

331
00:09:30.500 --> 00:09:31.609
all your old.

332
00:09:31.610 --> 00:09:32.869
Yeah. And it just keeps getting

333
00:09:32.870 --> 00:09:33.769
upgrades to the Earth.

334
00:09:33.770 --> 00:09:35.029
Yeah. To the newest version.

335
00:09:35.030 --> 00:09:36.259
No, I can't tell you how many times

336
00:09:36.260 --> 00:09:38.059
I was on eBay trying to find dongles

337
00:09:38.060 --> 00:09:40.579
for obscure, like FireWire

338
00:09:40.580 --> 00:09:42.949
400 as a I mean, it was a disaster.

339
00:09:42.950 --> 00:09:44.839
And it's really scary because you

340
00:09:44.840 --> 00:09:46.699
totally take for granted the

341
00:09:46.700 --> 00:09:49.129
obsolescence that is almost

342
00:09:49.130 --> 00:09:50.869
annual with a lot of that stuff.

343
00:09:50.870 --> 00:09:51.619
You know.

344
00:09:51.620 --> 00:09:53.509
So I do know,

345
00:09:53.510 --> 00:09:54.510
yes, I'm sure.

346
00:09:56.540 --> 00:09:57.739
Well, let's take a question from

347
00:09:57.740 --> 00:09:58.740
the. So. Sure.

348
00:09:59.450 --> 00:10:00.710
Anybody have a question over there?

349
00:10:02.960 --> 00:10:04.279
By the way, some flip side cast

350
00:10:04.280 --> 00:10:05.360
members here as May.

351
00:10:07.120 --> 00:10:09.039
Who is now 18, leaving for college,

352
00:10:09.040 --> 00:10:10.919
another major life transition.

353
00:10:10.920 --> 00:10:13.089
Heartbreaking as Elaine,

354
00:10:13.090 --> 00:10:14.739
my wife Elaine.

355
00:10:14.740 --> 00:10:16.359
Thank you for tolerating.

356
00:10:16.360 --> 00:10:17.380
Anyway. Sorry,

357
00:10:19.060 --> 00:10:20.349
that was my vamping for another

358
00:10:20.350 --> 00:10:21.549
question.

359
00:10:21.550 --> 00:10:22.659
Hi.

360
00:10:22.660 --> 00:10:24.279
Speaking of family, I just wanted to

361
00:10:24.280 --> 00:10:26.229
know, like, do your,

362
00:10:26.230 --> 00:10:28.179
children have any interest in

363
00:10:28.180 --> 00:10:29.379
analog at all?

364
00:10:29.380 --> 00:10:31.269
Like, since, you know, records were

365
00:10:31.270 --> 00:10:32.589
such a big thing?

366
00:10:32.590 --> 00:10:34.509
Yeah. Know your your adolescence

367
00:10:34.510 --> 00:10:35.469
and your teenage years.

368
00:10:35.470 --> 00:10:37.299
So I know that it's sort

369
00:10:37.300 --> 00:10:39.369
of coming back for the youth,

370
00:10:39.370 --> 00:10:39.879
I guess.

371
00:10:39.880 --> 00:10:41.729
Yeah. Well, we could ask ask me, but

372
00:10:41.730 --> 00:10:42.849
I meant that might take a little too

373
00:10:42.850 --> 00:10:43.989
much time. What do you think? Has.

374
00:10:43.990 --> 00:10:45.549
I mean, yes, she has vinyl, right.

375
00:10:45.550 --> 00:10:47.019
You've collected a bunch of vinyl

376
00:10:47.020 --> 00:10:48.999
and have a bunch of analog stuff.

377
00:10:49.000 --> 00:10:50.859
Not like. Oh, and you had a

378
00:10:50.860 --> 00:10:53.139
moment of, disposable cameras.

379
00:10:53.140 --> 00:10:55.269
I think it was like, not.

380
00:10:55.270 --> 00:10:57.459
I have taken as made a flip side,

381
00:10:57.460 --> 00:10:59.169
and I think you're a little bit deer

382
00:10:59.170 --> 00:11:01.089
in headlights. Like, digging through

383
00:11:01.090 --> 00:11:02.589
crates is not the way you discovered

384
00:11:02.590 --> 00:11:04.599
music. You're sifting online

385
00:11:04.600 --> 00:11:05.589
and playlists.

386
00:11:05.590 --> 00:11:07.539
And so I think that there was

387
00:11:07.540 --> 00:11:09.159
like, it's there's it's a little

388
00:11:09.160 --> 00:11:11.079
novelty there, but I, there's no

389
00:11:11.080 --> 00:11:12.519
real commitment to it, I would say,

390
00:11:12.520 --> 00:11:13.520
would you say that's true?

391
00:11:21.650 --> 00:11:22.650
Yeah.

392
00:11:26.240 --> 00:11:27.240
Yeah.

393
00:11:29.030 --> 00:11:29.719
Yeah.

394
00:11:29.720 --> 00:11:31.009
But you do miss out on that.

395
00:11:31.010 --> 00:11:32.809
The joy of rediscovering your Jungle

396
00:11:32.810 --> 00:11:34.669
Brothers cassette, because I totally

397
00:11:34.670 --> 00:11:36.589
have that cassette it and I'm never

398
00:11:36.590 --> 00:11:37.159
going to give it up.

399
00:11:37.160 --> 00:11:38.510
Yeah, you probably shouldn't.

400
00:11:41.370 --> 00:11:43.889
Yes, I see other hands.

401
00:11:43.890 --> 00:11:45.149
Do we need mikes?

402
00:11:45.150 --> 00:11:46.899
Yes. Can you go give them a mike?

403
00:11:46.900 --> 00:11:47.900
Thanks.

404
00:11:52.350 --> 00:11:54.119
You know, I've never sat up here

405
00:11:54.120 --> 00:11:55.709
before. I really can't see you guys.

406
00:11:55.710 --> 00:11:57.359
It's wild. There's a full blasting

407
00:11:57.360 --> 00:11:58.360
light in my face, so.

408
00:12:00.870 --> 00:12:02.099
Well, I just wanted more of a

409
00:12:02.100 --> 00:12:03.149
comment and a question.

410
00:12:03.150 --> 00:12:05.039
I mean, I, I absolutely love

411
00:12:05.040 --> 00:12:07.139
the film. I think you're talking to.

412
00:12:07.140 --> 00:12:09.089
You're talking to two, North

413
00:12:09.090 --> 00:12:10.289
Jersey guys right here.

414
00:12:10.290 --> 00:12:11.729
Nice. Who grew up in that area.

415
00:12:11.730 --> 00:12:12.989
What town?

416
00:12:12.990 --> 00:12:13.979
I lived in Mountain Lakes.

417
00:12:13.980 --> 00:12:15.299
I don't know what. You're the word

418
00:12:15.300 --> 00:12:16.139
Springs. Oh, yeah.

419
00:12:16.140 --> 00:12:17.729
Yeah, and I used to, but I used to

420
00:12:17.730 --> 00:12:19.529
shop at, flip side.

421
00:12:19.530 --> 00:12:20.909
Get out back in the days.

422
00:12:20.910 --> 00:12:22.319
Do you have any memories?

423
00:12:22.320 --> 00:12:23.999
Yeah. I mean, I bought tons of stuff

424
00:12:24.000 --> 00:12:26.119
there, and I remember Wfmy you

425
00:12:26.120 --> 00:12:27.629
would mention in flip Side.

426
00:12:27.630 --> 00:12:29.669
Yeah. And I used to watch Uncle

427
00:12:29.670 --> 00:12:31.259
Floyd in high school and college.

428
00:12:31.260 --> 00:12:32.549
So this is like my life.

429
00:12:32.550 --> 00:12:33.479
Yeah, yeah.

430
00:12:33.480 --> 00:12:35.519
And, you know, and but,

431
00:12:35.520 --> 00:12:36.929
you know, also, right now, you know,

432
00:12:36.930 --> 00:12:38.489
I'm at the age where my parents are

433
00:12:38.490 --> 00:12:40.259
transitioning to, you know, you

434
00:12:40.260 --> 00:12:41.339
know. Yeah.

435
00:12:41.340 --> 00:12:42.929
You know, my mom's got severe

436
00:12:42.930 --> 00:12:44.669
dementia. So that stuff hit home to,

437
00:12:44.670 --> 00:12:45.869
you know, and it really did bring

438
00:12:45.870 --> 00:12:47.969
home, you know, the just

439
00:12:47.970 --> 00:12:49.649
the transitory nature of life, you

440
00:12:49.650 --> 00:12:51.929
know, and and also all the.

441
00:12:51.930 --> 00:12:53.819
Did you know, I loved you know, that

442
00:12:53.820 --> 00:12:54.959
in spite whether you finish a

443
00:12:54.960 --> 00:12:56.759
project or not, the, the the the the

444
00:12:56.760 --> 00:12:58.589
creativity, you know, the act of

445
00:12:58.590 --> 00:13:00.599
creation. Yeah, is important whether

446
00:13:00.600 --> 00:13:02.489
it ends up being something

447
00:13:02.490 --> 00:13:04.739
monetarily successful.

448
00:13:04.740 --> 00:13:06.269
Yeah. So I really enjoyed it.

449
00:13:06.270 --> 00:13:08.039
So I just want to say thank you.

450
00:13:08.040 --> 00:13:09.179
Thank you.

451
00:13:09.180 --> 00:13:11.129
You know I think about David Milch.

452
00:13:11.130 --> 00:13:12.569
There's so much stuff about memory

453
00:13:12.570 --> 00:13:13.529
and these artifacts.

454
00:13:13.530 --> 00:13:15.119
And then it was so that was one of

455
00:13:15.120 --> 00:13:16.109
the things that was so intense was

456
00:13:16.110 --> 00:13:18.179
seeing David's memory

457
00:13:18.180 --> 00:13:19.679
leaving him. You know, that was just

458
00:13:19.680 --> 00:13:20.729
such a.

459
00:13:20.730 --> 00:13:23.729
And you, when he's watching

460
00:13:23.730 --> 00:13:25.679
Herman Leonard and then he's kind

461
00:13:25.680 --> 00:13:27.659
of looking over at me,

462
00:13:27.660 --> 00:13:29.099
I don't know. I just did such a

463
00:13:29.100 --> 00:13:30.959
sweet moment because he's

464
00:13:30.960 --> 00:13:32.219
being seen, you know, it's almost

465
00:13:32.220 --> 00:13:33.869
like we're now doing the thing that

466
00:13:33.870 --> 00:13:35.249
he wanted to do for Herman Leonard.

467
00:13:35.250 --> 00:13:36.749
So that's always a moment that I,

468
00:13:36.750 --> 00:13:38.399
you know, get a little choked up.

469
00:13:38.400 --> 00:13:39.809
Anyway. Thank you.

470
00:13:39.810 --> 00:13:40.889
I also, personally, I think that

471
00:13:40.890 --> 00:13:42.929
there's plenty of

472
00:13:42.930 --> 00:13:45.389
validity in making the film

473
00:13:45.390 --> 00:13:47.069
like that performative aspect of

474
00:13:47.070 --> 00:13:48.929
making the acknowledgment of

475
00:13:48.930 --> 00:13:50.819
performance legacy.

476
00:13:50.820 --> 00:13:51.959
Yeah. Even if it doesn't get

477
00:13:51.960 --> 00:13:53.459
finished, I think it's totally

478
00:13:53.460 --> 00:13:54.779
profound and super important.

479
00:13:54.780 --> 00:13:56.349
Yeah. No. And David was kind of a

480
00:13:56.350 --> 00:13:57.539
almost conceptual genius.

481
00:13:57.540 --> 00:13:59.009
I mean, I didn't love finding that

482
00:13:59.010 --> 00:13:59.999
out after the I mean, you know,

483
00:14:00.000 --> 00:14:01.109
because I was like, wait a minute.

484
00:14:01.110 --> 00:14:03.059
That was like, you know,

485
00:14:03.060 --> 00:14:04.259
because I kind of killed myself to

486
00:14:04.260 --> 00:14:05.879
do it and was trying to I wanted to

487
00:14:05.880 --> 00:14:06.389
make it and.

488
00:14:06.390 --> 00:14:07.409
Switch for you. That's a little.

489
00:14:07.410 --> 00:14:09.089
Bit on switch, but did a lovely

490
00:14:09.090 --> 00:14:10.049
ending to that story.

491
00:14:10.050 --> 00:14:12.179
Is that his family after

492
00:14:12.180 --> 00:14:13.589
I had filmed was like, are you going

493
00:14:13.590 --> 00:14:14.819
to make like, you know, an American

494
00:14:14.820 --> 00:14:16.199
Masters? Will this be on PBS?

495
00:14:16.200 --> 00:14:17.639
And I was like, no, there's no more

496
00:14:17.640 --> 00:14:19.349
money. There's no, I don't.

497
00:14:19.350 --> 00:14:21.419
And now this is the thing,

498
00:14:21.420 --> 00:14:23.579
you know, like his daughter and

499
00:14:23.580 --> 00:14:25.229
her husband have, they're

500
00:14:25.230 --> 00:14:26.249
essentially the estate.

501
00:14:26.250 --> 00:14:28.079
And they have been so generous

502
00:14:28.080 --> 00:14:29.909
and gave us permission to use his

503
00:14:29.910 --> 00:14:31.859
photos. And so their blessing was

504
00:14:31.860 --> 00:14:33.719
so important because, again, if his

505
00:14:33.720 --> 00:14:35.939
whole character went away,

506
00:14:35.940 --> 00:14:37.919
you know, I think the whole fragile

507
00:14:37.920 --> 00:14:39.419
thing falls apart, you know?

508
00:14:39.420 --> 00:14:40.859
Yeah. His voice is definitely a

509
00:14:40.860 --> 00:14:41.860
theme throughout.

510
00:14:42.840 --> 00:14:45.209
I'm curious if,

511
00:14:45.210 --> 00:14:47.939
it sounded like in the film that

512
00:14:47.940 --> 00:14:49.979
his photos, he didn't show

513
00:14:49.980 --> 00:14:51.809
his photos until he was around 60.

514
00:14:51.810 --> 00:14:53.189
Yeah, it was like in the 80s.

515
00:14:53.190 --> 00:14:54.809
They were kind of discovered.

516
00:14:54.810 --> 00:14:56.669
He was really like a bit of

517
00:14:56.670 --> 00:14:57.899
a lost soul. And I think he had

518
00:14:57.900 --> 00:15:00.179
this, like, incredibly prolific

519
00:15:00.180 --> 00:15:01.379
period shooting jazz.

520
00:15:01.380 --> 00:15:03.419
And then he kind of like was in it.

521
00:15:03.420 --> 00:15:05.669
He lived in a BFA

522
00:15:05.670 --> 00:15:07.439
for a while, and he was like doing

523
00:15:07.440 --> 00:15:08.519
all different kinds of stuff.

524
00:15:08.520 --> 00:15:09.929
And I think his career lost a little

525
00:15:09.930 --> 00:15:10.949
bit of focus.

526
00:15:10.950 --> 00:15:12.209
And then it was when the jazz

527
00:15:12.210 --> 00:15:14.129
photographs were rediscovered

528
00:15:14.130 --> 00:15:15.639
that he sort of got back into it.

529
00:15:15.640 --> 00:15:17.009
It was almost like a second wind,

530
00:15:17.010 --> 00:15:18.089
and he was shooting again.

531
00:15:18.090 --> 00:15:19.989
And but he was in his 60s or.

532
00:15:19.990 --> 00:15:20.369
Yeah.

533
00:15:20.370 --> 00:15:21.479
Yeah, he was older. Wow.

534
00:15:21.480 --> 00:15:23.369
Yeah. There was also a wild body of

535
00:15:23.370 --> 00:15:23.579
work.

536
00:15:23.580 --> 00:15:24.209
Bloomers.

537
00:15:24.210 --> 00:15:25.199
Yeah, exactly.

538
00:15:25.200 --> 00:15:27.029
Shout out to late bloomers.

539
00:15:27.030 --> 00:15:28.289
There was a really cool body of work

540
00:15:28.290 --> 00:15:30.629
that he did also, which is he was,

541
00:15:30.630 --> 00:15:31.630
in New Orleans during.

542
00:15:33.960 --> 00:15:34.829
What was that hurricane?

543
00:15:34.830 --> 00:15:36.269
I almost said Sandy, but it's the

544
00:15:36.270 --> 00:15:37.319
one. You know. You know what I'm

545
00:15:37.320 --> 00:15:38.320
talking about.

546
00:15:39.330 --> 00:15:41.369
And many of his prints

547
00:15:41.370 --> 00:15:43.199
were part of a flood, and

548
00:15:43.200 --> 00:15:45.149
he came back, and now that wasn't

549
00:15:45.150 --> 00:15:46.739
his negatives, thankfully.

550
00:15:46.740 --> 00:15:48.779
But the destroyed prints, the water

551
00:15:48.780 --> 00:15:50.039
did these amazing things.

552
00:15:50.040 --> 00:15:52.349
Sometimes the photographs would dry

553
00:15:52.350 --> 00:15:53.189
or be decayed.

554
00:15:53.190 --> 00:15:54.269
And he did a whole body of work

555
00:15:54.270 --> 00:15:56.129
where he showed the decayed

556
00:15:56.130 --> 00:15:58.289
photos, the photos from the flood.

557
00:15:58.290 --> 00:15:59.909
And they're like almost remixes.

558
00:15:59.910 --> 00:16:01.979
Like it'll be a miles Davis photo

559
00:16:01.980 --> 00:16:03.779
that was underwater and it's kind of

560
00:16:03.780 --> 00:16:05.879
exquisite. So he was making until

561
00:16:05.880 --> 00:16:08.309
the end, you know, shooting.

562
00:16:08.310 --> 00:16:09.179
That's really cool.

563
00:16:09.180 --> 00:16:12.209
Thank you, thank you Herman.

564
00:16:12.210 --> 00:16:13.469
All right. Question on the side.

565
00:16:16.080 --> 00:16:17.080
I see a couple.

566
00:16:28.400 --> 00:16:29.399
Where's the middle?

567
00:16:29.400 --> 00:16:30.659
You can ask.

568
00:16:30.660 --> 00:16:32.759
We'll get your next question

569
00:16:32.760 --> 00:16:33.599
for you.

570
00:16:33.600 --> 00:16:35.729
I really appreciated the tension

571
00:16:35.730 --> 00:16:37.889
that you were playing with, about

572
00:16:37.890 --> 00:16:39.599
things not being finished when

573
00:16:39.600 --> 00:16:40.949
clearly we're watching something

574
00:16:40.950 --> 00:16:41.969
that is finished.

575
00:16:41.970 --> 00:16:42.539
Yeah.

576
00:16:42.540 --> 00:16:44.159
Right. You know, there is an end to

577
00:16:44.160 --> 00:16:45.509
this, and it's completed and it's

578
00:16:45.510 --> 00:16:47.400
being shown here and presented.

579
00:16:49.230 --> 00:16:51.209
The the record store is

580
00:16:51.210 --> 00:16:52.769
a work in progress for someone's

581
00:16:52.770 --> 00:16:53.999
life. Yeah.

582
00:16:54.000 --> 00:16:56.429
And we never really

583
00:16:56.430 --> 00:16:58.289
know. You never have that direct

584
00:16:58.290 --> 00:17:00.869
conversation with him

585
00:17:00.870 --> 00:17:02.879
about why do you keep

586
00:17:02.880 --> 00:17:05.459
doing this and what is the future?

587
00:17:05.460 --> 00:17:07.169
There is part of me that is kind of

588
00:17:07.170 --> 00:17:08.669
wondering, so, like, what's going on

589
00:17:08.670 --> 00:17:09.868
with the record store now?

590
00:17:09.869 --> 00:17:11.338
Yeah, but if you could talk a little

591
00:17:11.339 --> 00:17:12.868
bit, about that.

592
00:17:12.869 --> 00:17:14.729
Yeah, I

593
00:17:14.730 --> 00:17:17.338
will tell you, I interviewed Dan

594
00:17:17.339 --> 00:17:19.318
many, many times and he

595
00:17:19.319 --> 00:17:21.509
is a little bit allergic to

596
00:17:21.510 --> 00:17:22.559
reflecting.

597
00:17:22.560 --> 00:17:24.659
He, he does not like to,

598
00:17:24.660 --> 00:17:26.519
you know, kind of pontificate or

599
00:17:26.520 --> 00:17:29.039
think philosophically about things.

600
00:17:29.040 --> 00:17:30.599
And so he was really resistant and I

601
00:17:30.600 --> 00:17:32.129
never got the interview where he

602
00:17:32.130 --> 00:17:34.079
said the thing where he

603
00:17:34.080 --> 00:17:35.939
had some insight or some thought

604
00:17:35.940 --> 00:17:37.619
or some theory.

605
00:17:37.620 --> 00:17:39.239
So that was a sort of, you know, and

606
00:17:39.240 --> 00:17:40.709
at a certain point, I was just like,

607
00:17:40.710 --> 00:17:41.609
this is who he is.

608
00:17:41.610 --> 00:17:43.559
This is what's happening.

609
00:17:43.560 --> 00:17:45.449
And I was convinced and I think

610
00:17:45.450 --> 00:17:47.009
Tracy sort of says it, that, like, I

611
00:17:47.010 --> 00:17:48.029
had to kind of let go.

612
00:17:48.030 --> 00:17:49.349
I had to if he was going to run it

613
00:17:49.350 --> 00:17:50.879
into the ground, and that was going

614
00:17:50.880 --> 00:17:51.880
to be what happened.

615
00:17:53.650 --> 00:17:55.239
Something really lovely has been

616
00:17:55.240 --> 00:17:56.889
happening and it's small, but it's

617
00:17:56.890 --> 00:17:59.049
feels significant, which is people

618
00:17:59.050 --> 00:18:00.849
have been seeing the documentary and

619
00:18:00.850 --> 00:18:02.409
making pilgrimages there, and I'll

620
00:18:02.410 --> 00:18:04.329
get these DMs where someone's like,

621
00:18:04.330 --> 00:18:06.999
I just spent $300 on flipside,

622
00:18:07.000 --> 00:18:08.439
and they'll take a selfie with Dan,

623
00:18:08.440 --> 00:18:09.669
who's just standing there behind the

624
00:18:09.670 --> 00:18:11.109
counter, kind of startled.

625
00:18:11.110 --> 00:18:12.969
But, so that's been a

626
00:18:12.970 --> 00:18:14.859
really lovely development.

627
00:18:14.860 --> 00:18:16.689
And I think that, you know, I

628
00:18:16.690 --> 00:18:17.919
don't think he's getting rich, but I

629
00:18:17.920 --> 00:18:19.449
think that there are people coming

630
00:18:19.450 --> 00:18:21.009
there and there's curiosity seekers.

631
00:18:21.010 --> 00:18:22.419
And now that it's finally streaming,

632
00:18:22.420 --> 00:18:23.739
I think more people are kind of

633
00:18:23.740 --> 00:18:24.519
seeing it.

634
00:18:24.520 --> 00:18:26.019
And again, it's a slow burn, but I

635
00:18:26.020 --> 00:18:27.429
think it's made a difference.

636
00:18:27.430 --> 00:18:29.229
And something clicked in him

637
00:18:29.230 --> 00:18:30.669
sometime in the last month where

638
00:18:30.670 --> 00:18:32.589
he's decided to make t shirts.

639
00:18:35.130 --> 00:18:36.130
Well, no,

640
00:18:37.140 --> 00:18:38.069
I know, Jesus.

641
00:18:38.070 --> 00:18:40.079
I just I wanted to go in there

642
00:18:40.080 --> 00:18:41.080
and. Yeah.

643
00:18:42.600 --> 00:18:43.949
It is filthy. I mean, that's the

644
00:18:43.950 --> 00:18:45.329
other thing is when you go in there,

645
00:18:45.330 --> 00:18:46.979
you get filthy, but it's like.

646
00:18:46.980 --> 00:18:47.969
And there's only a certain kind of

647
00:18:47.970 --> 00:18:49.799
person who wants to get down and

648
00:18:49.800 --> 00:18:50.999
dig through the crates and get their

649
00:18:51.000 --> 00:18:52.000
hands dirty.

650
00:18:53.400 --> 00:18:55.259
So I think

651
00:18:55.260 --> 00:18:57.179
that he sees that this is a moment,

652
00:18:57.180 --> 00:18:58.409
and this moment is probably

653
00:18:58.410 --> 00:18:59.459
fleeting, right? There's some

654
00:18:59.460 --> 00:19:01.559
interest and he should capitalize

655
00:19:01.560 --> 00:19:02.939
on it in a small way if he can.

656
00:19:02.940 --> 00:19:04.829
So then his tee shirt design

657
00:19:04.830 --> 00:19:06.359
guy got Covid and I don't know, it's

658
00:19:06.360 --> 00:19:08.189
taking very long as things

659
00:19:08.190 --> 00:19:09.509
tend to do and flip side, but

660
00:19:10.650 --> 00:19:12.749
I think that Dan is just

661
00:19:12.750 --> 00:19:15.029
he's going to be there until

662
00:19:15.030 --> 00:19:16.289
he's forced to not be there.

663
00:19:16.290 --> 00:19:17.819
So whether his landlord kicks him

664
00:19:17.820 --> 00:19:19.709
out or whether his health goes

665
00:19:19.710 --> 00:19:21.029
or something, but I don't think he's

666
00:19:21.030 --> 00:19:21.899
going anywhere.

667
00:19:21.900 --> 00:19:23.759
And I think he's got his expenses

668
00:19:23.760 --> 00:19:25.829
and his life down to such

669
00:19:25.830 --> 00:19:29.009
a modest, you know, minimal,

670
00:19:29.010 --> 00:19:30.869
number that he can really live

671
00:19:30.870 --> 00:19:32.159
to the bone. You know, he's kind of

672
00:19:32.160 --> 00:19:33.359
figured out how to do that.

673
00:19:33.360 --> 00:19:35.189
So I hope

674
00:19:35.190 --> 00:19:36.359
that answers your question.

675
00:19:37.620 --> 00:19:39.329
And by the way, should you find

676
00:19:39.330 --> 00:19:40.619
yourselves on the East Coast outside

677
00:19:40.620 --> 00:19:41.729
of New York City, I'm telling you,

678
00:19:41.730 --> 00:19:43.259
it's worth the trip.

679
00:19:43.260 --> 00:19:44.789
And the station one guys are lovely.

680
00:19:44.790 --> 00:19:46.139
They love when people come by and

681
00:19:46.140 --> 00:19:47.129
say hi.

682
00:19:47.130 --> 00:19:49.139
So other

683
00:19:49.140 --> 00:19:49.949
than.

684
00:19:49.950 --> 00:19:50.309
The other.

685
00:19:50.310 --> 00:19:51.539
Dad. Okay, we have a question over

686
00:19:51.540 --> 00:19:52.540
here.

687
00:19:52.830 --> 00:19:54.359
There's a third Dan too, who's in

688
00:19:54.360 --> 00:19:55.360
the commercial?

689
00:19:59.810 --> 00:20:00.889
Thank you. Hey.

690
00:20:00.890 --> 00:20:01.890
Hi.

691
00:20:02.390 --> 00:20:03.349
How are you?

692
00:20:03.350 --> 00:20:05.959
So I was wondering, as

693
00:20:05.960 --> 00:20:07.939
a teenager who's kind of in

694
00:20:07.940 --> 00:20:10.159
limbo right now, doing

695
00:20:10.160 --> 00:20:11.929
graduating high school and going to

696
00:20:11.930 --> 00:20:13.909
college and not really

697
00:20:13.910 --> 00:20:15.259
sure what's happening.

698
00:20:15.260 --> 00:20:16.260
Completely. Yeah.

699
00:20:17.300 --> 00:20:19.369
I, I'm very

700
00:20:19.370 --> 00:20:20.449
open to advice.

701
00:20:20.450 --> 00:20:22.730
And one thing that I like to see,

702
00:20:24.020 --> 00:20:25.879
in the documentary a lot that

703
00:20:25.880 --> 00:20:27.709
I think of is that

704
00:20:27.710 --> 00:20:28.909
need for approval?

705
00:20:28.910 --> 00:20:30.769
Yeah. And I was wondering what

706
00:20:30.770 --> 00:20:33.289
your advice is for balancing

707
00:20:33.290 --> 00:20:35.479
that with your aspirations

708
00:20:35.480 --> 00:20:37.489
and what you want to do and making

709
00:20:37.490 --> 00:20:39.019
sure that you don't, I guess, quote

710
00:20:39.020 --> 00:20:40.729
unquote, sell out.

711
00:20:40.730 --> 00:20:41.659
Oh my God.

712
00:20:41.660 --> 00:20:42.919
Of course, the 18 year old asked me

713
00:20:42.920 --> 00:20:44.749
the hardest question of the night.

714
00:20:44.750 --> 00:20:45.750
Oh, man.

715
00:20:47.990 --> 00:20:48.990
Wow.

716
00:20:49.880 --> 00:20:51.649
You know, approval and selling out.

717
00:20:51.650 --> 00:20:53.539
I might have to, like, separate

718
00:20:53.540 --> 00:20:54.540
those two things.

719
00:20:56.690 --> 00:20:59.029
In the sense that I don't know

720
00:20:59.030 --> 00:21:00.259
if that. Well, I know they're

721
00:21:00.260 --> 00:21:01.579
entwined in really interesting ways.

722
00:21:01.580 --> 00:21:02.580
I mean.

723
00:21:04.730 --> 00:21:06.319
God. And by the way, we're in a

724
00:21:06.320 --> 00:21:07.189
moment.

725
00:21:07.190 --> 00:21:09.259
I read something today where,

726
00:21:09.260 --> 00:21:11.389
a film director was being

727
00:21:11.390 --> 00:21:13.009
interviewed and saying, I have a

728
00:21:13.010 --> 00:21:14.729
hard time.

729
00:21:14.730 --> 00:21:16.559
Recommending that a young person

730
00:21:16.560 --> 00:21:17.909
get into this business right now

731
00:21:17.910 --> 00:21:18.779
with good conscience.

732
00:21:18.780 --> 00:21:20.279
Do you know what I mean?

733
00:21:20.280 --> 00:21:21.659
And that's a scary thing.

734
00:21:21.660 --> 00:21:23.879
You know, I think that I'm

735
00:21:23.880 --> 00:21:25.229
sort of, you know, this that was an

736
00:21:25.230 --> 00:21:27.239
unrelated insight, but I just,

737
00:21:27.240 --> 00:21:29.489
I think that.

738
00:21:31.940 --> 00:21:33.709
You need to do a lot of stuff and

739
00:21:33.710 --> 00:21:35.239
try a lot of stuff.

740
00:21:35.240 --> 00:21:37.279
And one of the things

741
00:21:37.280 --> 00:21:38.599
that was a great lesson from flip

742
00:21:38.600 --> 00:21:40.429
Side was that I would go there

743
00:21:40.430 --> 00:21:42.229
and I wouldn't feel time pass.

744
00:21:42.230 --> 00:21:43.339
I loved being there.

745
00:21:43.340 --> 00:21:45.079
I love talking to people about

746
00:21:45.080 --> 00:21:46.819
records. I loved the community that

747
00:21:46.820 --> 00:21:48.439
was happening in that store.

748
00:21:48.440 --> 00:21:50.269
I loved learning about all the

749
00:21:50.270 --> 00:21:52.339
bands I didn't know, and

750
00:21:52.340 --> 00:21:54.289
it was like my first lesson that

751
00:21:54.290 --> 00:21:56.119
if you can find work

752
00:21:56.120 --> 00:21:58.009
that is effortless

753
00:21:58.010 --> 00:21:59.479
to do, that you love and that you

754
00:21:59.480 --> 00:22:01.429
accumulate those 10,000 hours just

755
00:22:01.430 --> 00:22:03.469
doing over and over like that

756
00:22:03.470 --> 00:22:05.929
is like the magic trick, you know?

757
00:22:05.930 --> 00:22:08.029
And I feel like if you can

758
00:22:08.030 --> 00:22:10.249
find work that connects

759
00:22:10.250 --> 00:22:11.659
with you in that way, I think all

760
00:22:11.660 --> 00:22:13.159
that other stuff kind of melts away,

761
00:22:13.160 --> 00:22:13.999
you know what I mean? You're not going

762
00:22:14.000 --> 00:22:15.109
to worry about the approval.

763
00:22:15.110 --> 00:22:16.159
You're going to. You're going to

764
00:22:16.160 --> 00:22:18.049
feel this joy going there every

765
00:22:18.050 --> 00:22:19.279
day and doing it and solving

766
00:22:19.280 --> 00:22:21.169
whatever problems that that

767
00:22:21.170 --> 00:22:22.519
work requires, and you're just going

768
00:22:22.520 --> 00:22:23.449
to love it, you know what I mean?

769
00:22:23.450 --> 00:22:24.739
And I think your job for the next

770
00:22:24.740 --> 00:22:25.699
few years, because you're going to

771
00:22:25.700 --> 00:22:27.529
college, it's just try

772
00:22:27.530 --> 00:22:29.929
to try a ton of stuff and

773
00:22:29.930 --> 00:22:30.949
try to figure it out.

774
00:22:30.950 --> 00:22:32.389
Try to figure out what you really

775
00:22:32.390 --> 00:22:33.390
love, you know.

776
00:22:34.580 --> 00:22:36.259
Even if it takes 40 years.

777
00:22:36.260 --> 00:22:38.209
Which, yes, which I can say us late

778
00:22:38.210 --> 00:22:39.679
bloomers can officially say that you

779
00:22:39.680 --> 00:22:41.659
might not figure it out right away.

780
00:22:41.660 --> 00:22:42.829
That being said, about approval,

781
00:22:42.830 --> 00:22:44.449
everybody loves approval, but it's

782
00:22:44.450 --> 00:22:46.219
really healthy if you can not need

783
00:22:46.220 --> 00:22:47.959
it. Yes, just do what you want to do

784
00:22:47.960 --> 00:22:49.009
and not worry about if somebody

785
00:22:49.010 --> 00:22:50.010
approves or not.

786
00:22:50.630 --> 00:22:52.219
Excellent advice.

787
00:22:52.220 --> 00:22:53.959
Not that you ask, but thank you.

788
00:22:53.960 --> 00:22:54.960
We have a question up there.

789
00:23:01.730 --> 00:23:03.949
Hi. I love this film.

790
00:23:03.950 --> 00:23:05.989
Thank you. Makes more than my day.

791
00:23:05.990 --> 00:23:08.509
And I love how

792
00:23:08.510 --> 00:23:10.369
you allowed yourself.

793
00:23:10.370 --> 00:23:12.169
With your crew to.

794
00:23:12.170 --> 00:23:13.760
To have it,

795
00:23:15.110 --> 00:23:16.999
spatially and thematically come

796
00:23:17.000 --> 00:23:19.099
together rather than just to

797
00:23:19.100 --> 00:23:21.169
linear and forcing a

798
00:23:21.170 --> 00:23:22.369
idea in particular.

799
00:23:22.370 --> 00:23:24.529
And I'm wondering, was

800
00:23:24.530 --> 00:23:26.359
there what was the particular if

801
00:23:26.360 --> 00:23:28.099
there was an moment where you

802
00:23:28.100 --> 00:23:29.100
realized.

803
00:23:31.190 --> 00:23:32.239
That sort of.

804
00:23:33.900 --> 00:23:35.549
It's the amalgam of all these

805
00:23:35.550 --> 00:23:36.689
things, and that you'll be bringing

806
00:23:36.690 --> 00:23:38.079
these together. And that'll allow

807
00:23:38.080 --> 00:23:39.389
you to say, wait a second.

808
00:23:39.390 --> 00:23:41.309
You know that you

809
00:23:41.310 --> 00:23:43.409
can thematically and spatially

810
00:23:43.410 --> 00:23:45.809
bring together and make something,

811
00:23:45.810 --> 00:23:47.159
as you say in the end of the film,

812
00:23:47.160 --> 00:23:49.170
completely new out of,

813
00:23:50.400 --> 00:23:52.619
what has been,

814
00:23:52.620 --> 00:23:55.079
you know, the carpet fracturing

815
00:23:55.080 --> 00:23:56.399
dust in these fragments.

816
00:23:56.400 --> 00:23:58.259
So, was there a

817
00:23:58.260 --> 00:24:00.149
particular moment or how did that

818
00:24:00.150 --> 00:24:01.019
come together? Yeah.

819
00:24:01.020 --> 00:24:02.699
I mean, I think that a lesson I also

820
00:24:02.700 --> 00:24:04.229
endlessly learned over and over is

821
00:24:04.230 --> 00:24:07.019
you have to just keep

822
00:24:07.020 --> 00:24:08.249
trying stuff.

823
00:24:08.250 --> 00:24:10.229
It's just endless experiments.

824
00:24:10.230 --> 00:24:11.729
And I think that we went into this

825
00:24:11.730 --> 00:24:12.719
thinking that we were going to make

826
00:24:12.720 --> 00:24:14.549
something about a record store, and

827
00:24:14.550 --> 00:24:15.959
then I started slipping into the

828
00:24:15.960 --> 00:24:18.069
edit, these other things, like,

829
00:24:18.070 --> 00:24:19.439
why had this Herman Leonard footage?

830
00:24:19.440 --> 00:24:20.999
I have this wild, hard drive full of

831
00:24:21.000 --> 00:24:22.859
this IRA Glass project that never

832
00:24:22.860 --> 00:24:24.119
saw the light of day.

833
00:24:24.120 --> 00:24:25.889
And I think it was with my editor

834
00:24:25.890 --> 00:24:27.659
when we started to see that you

835
00:24:27.660 --> 00:24:29.579
could break

836
00:24:29.580 --> 00:24:31.169
these mini documentaries into

837
00:24:31.170 --> 00:24:33.179
sections, and you could sort

838
00:24:33.180 --> 00:24:35.429
of have the voices recur.

839
00:24:35.430 --> 00:24:37.319
That that was a big epiphany moment,

840
00:24:37.320 --> 00:24:38.849
right? That Herman Leonard could we

841
00:24:38.850 --> 00:24:40.769
could meet him, but then he could be

842
00:24:40.770 --> 00:24:42.209
this little voice that comes in and

843
00:24:42.210 --> 00:24:44.099
says, let me talk to you about what

844
00:24:44.100 --> 00:24:45.329
I did when I had to sell out.

845
00:24:45.330 --> 00:24:46.619
Let me talk to you about where I'm

846
00:24:46.620 --> 00:24:47.999
at at this moment in my life, and

847
00:24:48.000 --> 00:24:50.009
that these different voices

848
00:24:50.010 --> 00:24:51.989
could carry these themes, and

849
00:24:51.990 --> 00:24:53.489
that David Milch could do that, and

850
00:24:53.490 --> 00:24:55.379
that starlee could recur and say

851
00:24:55.380 --> 00:24:57.209
something sort of profound.

852
00:24:57.210 --> 00:24:58.210
So it was like

853
00:24:59.280 --> 00:25:01.109
putting them in chunks and having

854
00:25:01.110 --> 00:25:02.339
these mini documentaries and then

855
00:25:02.340 --> 00:25:03.749
being like, we're too, we're sitting

856
00:25:03.750 --> 00:25:05.609
in this too long, but if we can

857
00:25:05.610 --> 00:25:07.679
break it up and braid them together

858
00:25:07.680 --> 00:25:09.119
in these ways and find echoes

859
00:25:09.120 --> 00:25:10.259
between the different characters,

860
00:25:10.260 --> 00:25:11.879
that was where the epiphany started

861
00:25:11.880 --> 00:25:12.809
to happen.

862
00:25:12.810 --> 00:25:14.699
And that was in the doing that

863
00:25:14.700 --> 00:25:16.379
was not in the outlining or the

864
00:25:16.380 --> 00:25:18.599
pitching or some conceptual

865
00:25:18.600 --> 00:25:20.099
thing that we went into it with.

866
00:25:20.100 --> 00:25:22.079
It was just in constantly running

867
00:25:22.080 --> 00:25:23.249
at the stuff and trying to make

868
00:25:23.250 --> 00:25:25.109
sense out of it. So I would just say

869
00:25:25.110 --> 00:25:26.369
that I have to learn this lesson

870
00:25:26.370 --> 00:25:28.499
every day, which is to just keep

871
00:25:28.500 --> 00:25:29.699
doing the work, keep doing the

872
00:25:29.700 --> 00:25:31.169
revisions. I hate all these cliches.

873
00:25:31.170 --> 00:25:32.909
Writing is rewriting, but it's just

874
00:25:32.910 --> 00:25:34.529
true, right? You just have to go

875
00:25:34.530 --> 00:25:36.719
back into the

876
00:25:36.720 --> 00:25:38.659
trenches every day and engage the

877
00:25:38.660 --> 00:25:40.139
stuff and figure out why you hate

878
00:25:40.140 --> 00:25:42.059
this, but love this, or why this not

879
00:25:42.060 --> 00:25:43.079
won't untangle.

880
00:25:43.080 --> 00:25:44.279
And what is it?

881
00:25:44.280 --> 00:25:46.289
Voice over. Is it is it a shot?

882
00:25:46.290 --> 00:25:47.609
Is it a timing thing, a piece of

883
00:25:47.610 --> 00:25:49.289
music? So it was in the doing that.

884
00:25:49.290 --> 00:25:50.609
A lot of that stuff got figured out.

885
00:25:50.610 --> 00:25:53.069
There was no sort of grand

886
00:25:53.070 --> 00:25:54.450
blueprint going into it.

887
00:25:59.350 --> 00:26:00.429
These are great questions by the

888
00:26:00.430 --> 00:26:01.779
way. Thank you guys I really

889
00:26:01.780 --> 00:26:02.780
appreciate it.

890
00:26:04.780 --> 00:26:06.129
We have one on the side.

891
00:26:06.130 --> 00:26:07.539
Yeah, first.

892
00:26:07.540 --> 00:26:08.799
Then we'll go to that side.

893
00:26:08.800 --> 00:26:10.839
Can, you talk a little

894
00:26:10.840 --> 00:26:12.669
about your impressive

895
00:26:12.670 --> 00:26:14.289
closet of ephemera?

896
00:26:14.290 --> 00:26:14.799
Yeah.

897
00:26:14.800 --> 00:26:16.989
And, where that

898
00:26:16.990 --> 00:26:18.819
fit into the

899
00:26:18.820 --> 00:26:20.859
narrative and and when you're ready

900
00:26:20.860 --> 00:26:22.449
to get rid of some of that stuff.

901
00:26:22.450 --> 00:26:23.169
Yeah.

902
00:26:23.170 --> 00:26:25.149
And what scared you the most

903
00:26:25.150 --> 00:26:26.150
about getting rid of that?

904
00:26:28.280 --> 00:26:30.379
Yeah. I mean, I think that

905
00:26:30.380 --> 00:26:31.449
I was worried about.

906
00:26:31.450 --> 00:26:32.959
I should confess, I didn't get rid

907
00:26:32.960 --> 00:26:33.979
of all of it. There's still some

908
00:26:33.980 --> 00:26:34.789
stuff in my parents house.

909
00:26:34.790 --> 00:26:35.790
I'm not going to lie.

910
00:26:36.920 --> 00:26:38.959
I think that I thought

911
00:26:38.960 --> 00:26:40.459
my identity was wrapped up in it,

912
00:26:40.460 --> 00:26:42.259
that I that that they were so

913
00:26:42.260 --> 00:26:43.819
significant and meaningful and that

914
00:26:43.820 --> 00:26:45.349
what I would return to them, they

915
00:26:45.350 --> 00:26:46.639
would conjure these moments of

916
00:26:46.640 --> 00:26:47.869
nostalgia.

917
00:26:47.870 --> 00:26:49.819
And I wanted that weird buzz that

918
00:26:49.820 --> 00:26:50.989
comes from that.

919
00:26:50.990 --> 00:26:52.429
But I think that what I started to

920
00:26:52.430 --> 00:26:54.379
find as time was passing was that

921
00:26:54.380 --> 00:26:55.579
they just started to become

922
00:26:55.580 --> 00:26:56.989
reminders of how much time had

923
00:26:56.990 --> 00:26:58.909
passed, and it started to get

924
00:26:58.910 --> 00:27:00.079
a little depressing, you know what I

925
00:27:00.080 --> 00:27:02.269
mean? And I found that sometimes

926
00:27:02.270 --> 00:27:03.829
it was enough to just take a photo

927
00:27:03.830 --> 00:27:05.239
of the thing. This is my new garage

928
00:27:05.240 --> 00:27:06.919
sale strategy is I go to the garage

929
00:27:06.920 --> 00:27:08.569
sale and I don't buy things.

930
00:27:08.570 --> 00:27:10.339
I take the photo and then I leave.

931
00:27:10.340 --> 00:27:12.289
I walk away because I used

932
00:27:12.290 --> 00:27:13.999
to be the person who wanted to buy

933
00:27:14.000 --> 00:27:15.289
it. And I think, oh, I'll make an

934
00:27:15.290 --> 00:27:17.629
art project out of these weird

935
00:27:17.630 --> 00:27:19.819
glass daguerreotypes I found

936
00:27:19.820 --> 00:27:21.229
in, you know, living in the basement

937
00:27:21.230 --> 00:27:21.689
of this guy.

938
00:27:21.690 --> 00:27:23.689
I saved every key I had for like

939
00:27:23.690 --> 00:27:25.219
a hundred years, and I had a giant

940
00:27:25.220 --> 00:27:26.299
box of keys. I was like, this could

941
00:27:26.300 --> 00:27:27.709
be a great art project.

942
00:27:27.710 --> 00:27:28.999
I finally threw them all out, and

943
00:27:29.000 --> 00:27:30.439
then an artist put out a call.

944
00:27:30.440 --> 00:27:31.639
Does anybody have any old keys?

945
00:27:31.640 --> 00:27:32.990
I'm making a project this piece.

946
00:27:34.070 --> 00:27:34.609
Oh.

947
00:27:34.610 --> 00:27:35.449
See, this is the thing.

948
00:27:35.450 --> 00:27:36.409
But I was that guy.

949
00:27:36.410 --> 00:27:37.429
I'd be like this.

950
00:27:37.430 --> 00:27:38.809
I'm going to archive this because

951
00:27:38.810 --> 00:27:40.639
this is going to be meaningful ham

952
00:27:40.640 --> 00:27:42.229
radio equipment.

953
00:27:42.230 --> 00:27:43.639
You know, I mean, there were so many

954
00:27:43.640 --> 00:27:45.469
things and I mean, I

955
00:27:45.470 --> 00:27:47.399
had, you know, tons of 16

956
00:27:47.400 --> 00:27:48.829
millimeter film that would be found

957
00:27:48.830 --> 00:27:50.029
film from people's lives.

958
00:27:50.030 --> 00:27:51.349
And it was actually suffocating

959
00:27:51.350 --> 00:27:52.669
because it's like their memories and

960
00:27:52.670 --> 00:27:54.499
my memories. And it was.

961
00:27:54.500 --> 00:27:56.359
So anyway, but there was

962
00:27:56.360 --> 00:27:57.769
so much great stuff in there, too

963
00:27:57.770 --> 00:27:59.629
that, I'm trying to

964
00:27:59.630 --> 00:28:00.439
think what I've held on to it.

965
00:28:00.440 --> 00:28:01.879
I mean, the stuff that was really

966
00:28:01.880 --> 00:28:03.799
meaningful was like letters

967
00:28:03.800 --> 00:28:05.569
and correspondence and these notes

968
00:28:05.570 --> 00:28:07.189
we would pass in eighth grade in the

969
00:28:07.190 --> 00:28:08.599
hallway. And I think those things I

970
00:28:08.600 --> 00:28:09.919
held on to because those were super

971
00:28:09.920 --> 00:28:10.920
meaningful.

972
00:28:11.810 --> 00:28:13.699
But, you know, I

973
00:28:13.700 --> 00:28:14.959
loved that stuff, and I loved

974
00:28:14.960 --> 00:28:16.909
returning to that closet.

975
00:28:16.910 --> 00:28:18.799
And then a fun thing, though, and

976
00:28:18.800 --> 00:28:20.089
this was very satisfying, was when

977
00:28:20.090 --> 00:28:21.799
my kids came and started to look

978
00:28:21.800 --> 00:28:22.759
through it, and they would find

979
00:28:22.760 --> 00:28:24.349
things that they found interesting,

980
00:28:24.350 --> 00:28:25.919
clothing they wanted to wear, things

981
00:28:25.920 --> 00:28:27.349
they wanted to. And my daughter

982
00:28:27.350 --> 00:28:29.329
literally is wearing,

983
00:28:29.330 --> 00:28:30.769
and I think it's in homage of the

984
00:28:30.770 --> 00:28:32.599
screening, a shirt of mine from high

985
00:28:32.600 --> 00:28:34.099
school that she got out of that very

986
00:28:34.100 --> 00:28:36.679
closet. So thank you as me for

987
00:28:36.680 --> 00:28:38.569
wearing that. So, you know, there's

988
00:28:38.570 --> 00:28:40.129
a crazy tension there, but I think

989
00:28:40.130 --> 00:28:42.259
I'm way less of,

990
00:28:42.260 --> 00:28:43.489
I don't acquire things in the way

991
00:28:43.490 --> 00:28:44.869
that I used to. I just can't do it,

992
00:28:44.870 --> 00:28:46.099
you know?

993
00:28:46.100 --> 00:28:47.659
I find it now.

994
00:28:47.660 --> 00:28:50.209
I'm even thinking about, you know,

995
00:28:50.210 --> 00:28:51.589
it was a weird dress rehearsal for

996
00:28:51.590 --> 00:28:52.909
getting rid of my parents stuff,

997
00:28:52.910 --> 00:28:54.139
too. I've said this to them so it

998
00:28:54.140 --> 00:28:56.359
doesn't feel as creepy to say, but

999
00:28:56.360 --> 00:28:58.279
they've said to me, like, maybe you

1000
00:28:58.280 --> 00:28:59.629
should start thinking about helping

1001
00:28:59.630 --> 00:29:01.519
us purge now because this

1002
00:29:01.520 --> 00:29:02.689
is all just going to fall to you.

1003
00:29:02.690 --> 00:29:04.759
And my sister is not sentimental

1004
00:29:04.760 --> 00:29:05.869
at all. She would literally have a

1005
00:29:05.870 --> 00:29:07.279
dumpster rolled up to their house,

1006
00:29:07.280 --> 00:29:08.599
and she would just throw stuff in

1007
00:29:08.600 --> 00:29:10.669
and light a fire, whereas I'm like,

1008
00:29:10.670 --> 00:29:12.769
oh my God, this object,

1009
00:29:12.770 --> 00:29:14.449
this artifact, this thing from, you

1010
00:29:14.450 --> 00:29:16.429
know, you know, this ashtray

1011
00:29:16.430 --> 00:29:18.679
that my dad had in the 70s.

1012
00:29:18.680 --> 00:29:20.059
Yeah. No, I would be like building a

1013
00:29:20.060 --> 00:29:22.219
museum of miniature soaps.

1014
00:29:22.220 --> 00:29:24.289
Yes. Totally.

1015
00:29:24.290 --> 00:29:25.880
Totally. My dad still.

1016
00:29:27.350 --> 00:29:28.129
He still does it.

1017
00:29:28.130 --> 00:29:29.899
Oh, yeah. Even after the film.

1018
00:29:29.900 --> 00:29:31.069
There's no irony to that.

1019
00:29:31.070 --> 00:29:33.109
I mean, he it's a thing.

1020
00:29:33.110 --> 00:29:34.339
It is a it is a compulsion.

1021
00:29:34.340 --> 00:29:36.079
What about the AOL CDs?

1022
00:29:36.080 --> 00:29:37.489
He still has them.

1023
00:29:37.490 --> 00:29:38.419
He still has them.

1024
00:29:38.420 --> 00:29:39.709
You got ours. And this is the guy

1025
00:29:39.710 --> 00:29:41.659
who we argue

1026
00:29:41.660 --> 00:29:43.979
when we go out to dinner because.

1027
00:29:43.980 --> 00:29:44.759
Of prices.

1028
00:29:44.760 --> 00:29:46.799
Like if you go to a hotel with him

1029
00:29:46.800 --> 00:29:48.029
and you don't have the continental

1030
00:29:48.030 --> 00:29:49.829
breakfast that is free in the lobby.

1031
00:29:49.830 --> 00:29:50.819
He loses his.

1032
00:29:50.820 --> 00:29:52.799
If you buy breakfast or have room

1033
00:29:52.800 --> 00:29:54.539
service, this is like a week long

1034
00:29:54.540 --> 00:29:55.949
argument that's going to happen.

1035
00:29:55.950 --> 00:29:58.019
My dad, the the biggest quote

1036
00:29:58.020 --> 00:29:59.339
we've ever had that we repeat

1037
00:29:59.340 --> 00:30:00.749
customers. He'll always be like the

1038
00:30:00.750 --> 00:30:02.019
get you with the drink.

1039
00:30:02.020 --> 00:30:02.249
Yeah.

1040
00:30:02.250 --> 00:30:04.829
You know totally totally

1041
00:30:04.830 --> 00:30:05.969
that is yeah.

1042
00:30:05.970 --> 00:30:07.769
So that, you know, that tension is

1043
00:30:07.770 --> 00:30:09.720
still very much alive in the family.

1044
00:30:11.550 --> 00:30:13.589
They seem awesome and hilarious.

1045
00:30:15.750 --> 00:30:17.069
Do is there another question that's

1046
00:30:17.070 --> 00:30:18.419
imperative? Okay. And then I think

1047
00:30:18.420 --> 00:30:20.249
after this we should all repair to.

1048
00:30:20.250 --> 00:30:21.429
And thank you guys again.

1049
00:30:21.430 --> 00:30:24.029
He's an amazing author.

1050
00:30:24.030 --> 00:30:26.279
But go ahead and ask your question.

1051
00:30:26.280 --> 00:30:28.109
The film, as a

1052
00:30:28.110 --> 00:30:29.110
Gen Xer.

1053
00:30:30.000 --> 00:30:31.229
Nice shout out.

1054
00:30:31.230 --> 00:30:33.329
But also and totally,

1055
00:30:33.330 --> 00:30:34.949
totally enjoyed your mom and your

1056
00:30:34.950 --> 00:30:35.849
dad.

1057
00:30:35.850 --> 00:30:37.169
I totally think that you should do a

1058
00:30:37.170 --> 00:30:38.789
documentary on them.

1059
00:30:38.790 --> 00:30:39.899
Your dad's.

1060
00:30:39.900 --> 00:30:40.769
Completely flooded.

1061
00:30:40.770 --> 00:30:41.639
This might be it.

1062
00:30:41.640 --> 00:30:42.449
I don't know if they'll.

1063
00:30:42.450 --> 00:30:43.889
If they'll sit again, they'll be too

1064
00:30:43.890 --> 00:30:45.299
self-conscious. But thank you.

1065
00:30:45.300 --> 00:30:46.379
That's very sweet. And they.

1066
00:30:46.380 --> 00:30:48.149
And the fact that they they were

1067
00:30:48.150 --> 00:30:50.069
terrified. By the way, when this was

1068
00:30:50.070 --> 00:30:51.449
the first time we screened it, they

1069
00:30:51.450 --> 00:30:53.459
were they were, like, ready

1070
00:30:53.460 --> 00:30:54.869
for some kind of takedown, you know,

1071
00:30:54.870 --> 00:30:55.949
they were just so nervous.

1072
00:30:55.950 --> 00:30:57.059
But I think they've now come to

1073
00:30:57.060 --> 00:30:58.529
really appreciate it. And I should

1074
00:30:58.530 --> 00:31:00.359
say, at a screening about

1075
00:31:00.360 --> 00:31:02.399
a month ago, my mom and Judd buried

1076
00:31:02.400 --> 00:31:03.400
the beef.

1077
00:31:04.890 --> 00:31:06.329
She she stood up.

1078
00:31:06.330 --> 00:31:06.779
She.

1079
00:31:06.780 --> 00:31:07.859
Thank goodness, because I was going

1080
00:31:07.860 --> 00:31:08.879
to keep me up all night.

1081
00:31:08.880 --> 00:31:11.459
I know, but she

1082
00:31:11.460 --> 00:31:13.349
bowed and gave him her blessing and

1083
00:31:13.350 --> 00:31:14.969
said, it's okay.

1084
00:31:14.970 --> 00:31:16.829
And yeah, so that was a big deal

1085
00:31:16.830 --> 00:31:18.270
that felt like, you know, a.

1086
00:31:19.620 --> 00:31:21.029
A weight was lifted from all of our

1087
00:31:21.030 --> 00:31:21.719
shelters.

1088
00:31:21.720 --> 00:31:23.239
So you finally have closure.

1089
00:31:23.240 --> 00:31:24.729
Jessica.

1090
00:31:24.730 --> 00:31:26.579
Well, come join us

1091
00:31:26.580 --> 00:31:27.839
and meet Chris outside.

1092
00:31:27.840 --> 00:31:29.219
Yeah. Thank you so much for coming.

1093
00:31:29.220 --> 00:31:29.489
Thank you.

1094
00:31:29.490 --> 00:31:30.689
Thank you for having this.

1095
00:31:30.690 --> 00:31:32.189
This is great. And an earthquake to

1096
00:31:32.190 --> 00:31:32.979
punctuate it all.

1097
00:31:32.980 --> 00:31:33.599
Yeah.

1098
00:31:33.600 --> 00:31:34.559
Amazing.

1099
00:31:34.560 --> 00:31:35.560
Thank you guys.

