WEBVTT 1 00:00:35.180 --> 00:00:37.219 Join me in welcoming chief 2 00:00:37.220 --> 00:00:39.169 curator of film at MoMA, 3 00:00:39.170 --> 00:00:40.170 Raj Roy. 4 00:00:44.290 --> 00:00:45.290 Thank you, Claudia. 5 00:00:47.570 --> 00:00:49.549 Thank you all for 6 00:00:49.550 --> 00:00:50.959 again for being here tonight. 7 00:00:52.190 --> 00:00:54.259 It's my pleasure to welcome one 8 00:00:54.260 --> 00:00:55.549 of our guests this evening. 9 00:00:55.550 --> 00:00:56.719 Please welcome Claire Foy. 10 00:01:06.210 --> 00:01:07.109 Jessie is coming. 11 00:01:07.110 --> 00:01:08.340 She's just stuck in traffic. 12 00:01:09.450 --> 00:01:10.259 L.A. 13 00:01:10.260 --> 00:01:10.749 visiting. 14 00:01:10.750 --> 00:01:12.569 Never lived up to L.A. 15 00:01:12.570 --> 00:01:14.429 to still be with 16 00:01:14.430 --> 00:01:14.699 us. 17 00:01:14.700 --> 00:01:16.219 We'll make a really great entrance. 18 00:01:16.220 --> 00:01:16.439 I bet. 19 00:01:16.440 --> 00:01:18.299 As I told Claire, this is 20 00:01:18.300 --> 00:01:19.859 our chance. Whatever she wants to 21 00:01:19.860 --> 00:01:20.339 say. 22 00:01:20.340 --> 00:01:22.509 Got to get off my chest now. 23 00:01:22.510 --> 00:01:23.699 What if she gets it? 24 00:01:23.700 --> 00:01:25.289 But I do want to thank you for being 25 00:01:25.290 --> 00:01:27.119 here. And I want to thank you for 26 00:01:27.120 --> 00:01:28.979 your support of this picture. 27 00:01:28.980 --> 00:01:30.509 Clearly, it's something that you 28 00:01:30.510 --> 00:01:31.919 believe in. 29 00:01:31.920 --> 00:01:33.689 You dedicated yourself 30 00:01:33.690 --> 00:01:35.519 extraordinarily to the work, 31 00:01:35.520 --> 00:01:37.379 but the work continues in 32 00:01:37.380 --> 00:01:39.359 getting the message out. 33 00:01:39.360 --> 00:01:41.430 And I kind of wanted to start 34 00:01:43.800 --> 00:01:45.659 by talking about gathering this 35 00:01:45.660 --> 00:01:47.309 group, and maybe we can just take 36 00:01:47.310 --> 00:01:48.569 this opportunity. 37 00:01:48.570 --> 00:01:49.889 If you could share with us, if you 38 00:01:49.890 --> 00:01:51.779 wouldn't mind your experience of 39 00:01:51.780 --> 00:01:53.879 talking to Sarah Polley, 40 00:01:53.880 --> 00:01:56.069 your director, your writer about 41 00:01:56.070 --> 00:01:58.199 this, and and how you 42 00:01:58.200 --> 00:02:00.779 how she and yourself 43 00:02:00.780 --> 00:02:02.369 talked about. 44 00:02:02.370 --> 00:02:04.829 Finding this character for you. 45 00:02:04.830 --> 00:02:06.899 And was it this 46 00:02:06.900 --> 00:02:08.309 was it Salomé that she brought to 47 00:02:08.310 --> 00:02:09.538 you initially? 48 00:02:09.539 --> 00:02:10.769 Was it always her? 49 00:02:10.770 --> 00:02:12.659 And and how how did 50 00:02:12.660 --> 00:02:14.819 you bring yourself to 51 00:02:14.820 --> 00:02:15.820 to the character? 52 00:02:18.330 --> 00:02:20.849 I think Sara met probably 53 00:02:20.850 --> 00:02:22.769 everyone who was 54 00:02:22.770 --> 00:02:24.839 working for this film 55 00:02:24.840 --> 00:02:26.789 or in my head, that's 56 00:02:26.790 --> 00:02:28.259 what I imagined, that everybody 57 00:02:28.260 --> 00:02:29.639 would basically be fighting to get 58 00:02:29.640 --> 00:02:30.779 in it, because when I read it, it 59 00:02:30.780 --> 00:02:33.179 was such an original, unique 60 00:02:33.180 --> 00:02:35.069 script and 61 00:02:35.070 --> 00:02:36.689 she's such a brilliant director. 62 00:02:38.190 --> 00:02:39.179 I like the stories we tell. 63 00:02:39.180 --> 00:02:41.939 I think it's one of my favorite 64 00:02:41.940 --> 00:02:43.080 documentaries. So 65 00:02:45.000 --> 00:02:46.589 yeah, that in my head that was what 66 00:02:46.590 --> 00:02:48.509 would be happening and say when we 67 00:02:48.510 --> 00:02:50.489 had to zoom because it was deep 68 00:02:50.490 --> 00:02:51.490 and covert. Is that her? 69 00:02:52.410 --> 00:02:53.410 I can hear 70 00:02:54.930 --> 00:02:55.930 Jessie Buckley. 71 00:02:57.140 --> 00:02:58.189 Yeah. Yeah. 72 00:03:13.340 --> 00:03:14.369 Hi, Jessie. I'm Raj. 73 00:03:14.370 --> 00:03:16.399 I'm a pleasure to meet 74 00:03:16.400 --> 00:03:17.269 you. 75 00:03:17.270 --> 00:03:19.519 Thank you for making 76 00:03:19.520 --> 00:03:21.229 this spicier than it would have been 77 00:03:21.230 --> 00:03:22.549 if you had already been here. 78 00:03:22.550 --> 00:03:23.749 Right. 79 00:03:23.750 --> 00:03:24.829 It's got to be special for the 80 00:03:24.830 --> 00:03:25.619 hammer. 81 00:03:25.620 --> 00:03:26.779 I just saying it was really 82 00:03:26.780 --> 00:03:27.819 important. 83 00:03:27.820 --> 00:03:28.789 Oh, yeah. No, it wasn't. 84 00:03:28.790 --> 00:03:29.749 Carry on. 85 00:03:29.750 --> 00:03:31.609 No, but everything good, I. 86 00:03:31.610 --> 00:03:32.569 There was an accident. 87 00:03:32.570 --> 00:03:34.489 Hopefully not too near you, 88 00:03:34.490 --> 00:03:35.419 was it? Yeah. 89 00:03:35.420 --> 00:03:36.409 Yeah. Okay. 90 00:03:36.410 --> 00:03:37.339 But you're all good. 91 00:03:37.340 --> 00:03:38.340 I'm fine. 92 00:03:40.340 --> 00:03:42.139 Claire took the first incoming by 93 00:03:42.140 --> 00:03:44.209 herself, so we were talking about 94 00:03:44.210 --> 00:03:46.189 gathering this group and 95 00:03:46.190 --> 00:03:48.319 how your initial 96 00:03:48.320 --> 00:03:50.149 kind of conversations with Sarah 97 00:03:50.150 --> 00:03:52.129 and how you found the character. 98 00:03:52.130 --> 00:03:54.019 And so Claire was 99 00:03:54.020 --> 00:03:56.599 in the middle of describing her 100 00:03:56.600 --> 00:03:58.339 experience of getting to know Sarah 101 00:03:58.340 --> 00:04:00.409 through her work, her earlier work, 102 00:04:00.410 --> 00:04:02.809 and then finding this character. 103 00:04:04.040 --> 00:04:05.869 Yes. No, I was saying that 104 00:04:05.870 --> 00:04:07.429 I think that when Sarah was talking 105 00:04:07.430 --> 00:04:09.349 to everybody, it was with like 106 00:04:09.350 --> 00:04:11.179 every like it was a it 107 00:04:11.180 --> 00:04:11.989 was very open. 108 00:04:11.990 --> 00:04:13.489 It was like every every character 109 00:04:13.490 --> 00:04:14.490 was on the table. 110 00:04:15.740 --> 00:04:16.849 Obviously, within your playing 111 00:04:16.850 --> 00:04:18.259 range, I think that's what it felt 112 00:04:18.260 --> 00:04:20.179 like because she asked me, 113 00:04:20.180 --> 00:04:22.129 I know that it was, I 114 00:04:22.130 --> 00:04:24.049 was, had been given the script with 115 00:04:24.050 --> 00:04:25.729 owner in mind. 116 00:04:25.730 --> 00:04:26.730 Mhm. 117 00:04:27.560 --> 00:04:29.419 But it just that was never going 118 00:04:29.420 --> 00:04:31.539 to happen and 119 00:04:31.540 --> 00:04:31.629 I. 120 00:04:31.630 --> 00:04:32.149 Was. 121 00:04:32.150 --> 00:04:34.129 Just, I'm not Rooney like I just 122 00:04:34.130 --> 00:04:35.539 don't know anyone who could do what 123 00:04:35.540 --> 00:04:37.819 she like can do and make something 124 00:04:37.820 --> 00:04:39.079 so genuine 125 00:04:40.100 --> 00:04:42.079 and sweet and not 126 00:04:42.080 --> 00:04:44.149 be kind of saccharine and too much 127 00:04:44.150 --> 00:04:45.469 like she just has an amazing ability 128 00:04:45.470 --> 00:04:46.969 just to be there and be completely 129 00:04:46.970 --> 00:04:49.669 open and spiritual, 130 00:04:49.670 --> 00:04:51.439 which I don't know whether I got. 131 00:04:51.440 --> 00:04:53.299 Anyway, so, but she, when she asked 132 00:04:53.300 --> 00:04:54.829 me what character I really strongly 133 00:04:54.830 --> 00:04:56.149 felt about it was the limelight 134 00:04:56.150 --> 00:04:57.109 straight away, because I'd read the 135 00:04:57.110 --> 00:04:58.279 book by that point and I was just 136 00:04:58.280 --> 00:05:01.189 like, She's the one for me. 137 00:05:01.190 --> 00:05:03.019 But expecting her to say, Well, 138 00:05:03.020 --> 00:05:04.489 I don't really see that happening. 139 00:05:04.490 --> 00:05:05.839 So goodbye. 140 00:05:07.280 --> 00:05:08.659 And then, yeah, she gave me a crack 141 00:05:08.660 --> 00:05:09.660 at it. So 142 00:05:10.540 --> 00:05:12.469 I think it was great for me. 143 00:05:12.470 --> 00:05:13.519 Yeah. Thank God. 144 00:05:13.520 --> 00:05:14.520 Yeah. 145 00:05:15.160 --> 00:05:17.139 And Jessie, what was what 146 00:05:17.140 --> 00:05:19.149 was your experience of like talking 147 00:05:19.150 --> 00:05:21.219 to Sarah first about this 148 00:05:21.220 --> 00:05:23.289 and how you found your 149 00:05:23.290 --> 00:05:24.290 character? 150 00:05:25.490 --> 00:05:27.789 Um, well, I yeah, 151 00:05:27.790 --> 00:05:30.609 yeah, a bit similarly, I think. 152 00:05:30.610 --> 00:05:32.259 I can't really remember. 153 00:05:32.260 --> 00:05:33.429 She probably I can't remember who 154 00:05:33.430 --> 00:05:35.409 she said, who she fancy as 155 00:05:35.410 --> 00:05:36.700 our fancy Mary Kay. 156 00:05:40.250 --> 00:05:41.250 Um, 157 00:05:42.490 --> 00:05:45.009 and I being honest that when I read 158 00:05:45.010 --> 00:05:46.239 the script because I hadn't read the 159 00:05:46.240 --> 00:05:47.439 book. 160 00:05:47.440 --> 00:05:49.569 And I was like, I have no 161 00:05:49.570 --> 00:05:51.699 idea how you do this. 162 00:05:51.700 --> 00:05:53.649 It felt so foreign like 163 00:05:53.650 --> 00:05:55.539 that. The conversation felt so 164 00:05:55.540 --> 00:05:57.489 far and the settings felt so 165 00:05:57.490 --> 00:05:59.379 far. And I couldn't even 166 00:05:59.380 --> 00:06:01.359 I just had never read 167 00:06:01.360 --> 00:06:02.379 anything like that. 168 00:06:02.380 --> 00:06:03.380 And I'd never read, 169 00:06:04.360 --> 00:06:06.249 you know, kind of a debate like that 170 00:06:06.250 --> 00:06:08.259 that would, I guess, happen 171 00:06:08.260 --> 00:06:10.299 in real time where 172 00:06:10.300 --> 00:06:12.249 the kind of internal 173 00:06:12.250 --> 00:06:13.959 conflict within the relationships 174 00:06:13.960 --> 00:06:16.059 between these women trying to 175 00:06:16.060 --> 00:06:18.049 imagine something better than some 176 00:06:18.050 --> 00:06:19.419 thing that they'd always understood 177 00:06:19.420 --> 00:06:21.309 about themselves would 178 00:06:21.310 --> 00:06:22.229 happen. 179 00:06:22.230 --> 00:06:24.099 Um, and I guess what I was drawn 180 00:06:24.100 --> 00:06:25.839 to. Mary Kay. 181 00:06:25.840 --> 00:06:26.840 Um. 182 00:06:27.700 --> 00:06:29.919 But in a way, because 183 00:06:29.920 --> 00:06:32.229 she was some she was. 184 00:06:32.230 --> 00:06:34.329 I didn't understand. 185 00:06:34.330 --> 00:06:35.439 I knew that woman. 186 00:06:35.440 --> 00:06:36.579 But I'd never had a chance to 187 00:06:36.580 --> 00:06:38.679 understand what that woman, 188 00:06:38.680 --> 00:06:40.809 why that woman might be that way. 189 00:06:40.810 --> 00:06:42.759 And I felt like 190 00:06:42.760 --> 00:06:44.649 I'm really drawn 191 00:06:44.650 --> 00:06:46.689 to that. And I really 192 00:06:46.690 --> 00:06:48.579 kind of feel fiercely protective 193 00:06:48.580 --> 00:06:50.409 of her because in a 194 00:06:50.410 --> 00:06:52.869 way, she has so much internalized 195 00:06:52.870 --> 00:06:55.029 violence from a legacy 196 00:06:55.030 --> 00:06:57.639 of Internet of violence that she's. 197 00:06:57.640 --> 00:06:59.379 I have no idea what I'm talking 198 00:06:59.380 --> 00:07:01.329 about right now. Oh, you're 199 00:07:01.330 --> 00:07:02.599 with. I know. 200 00:07:02.600 --> 00:07:03.600 My don't. 201 00:07:04.390 --> 00:07:05.759 It sounds like you do 202 00:07:09.730 --> 00:07:11.319 well here. 203 00:07:11.320 --> 00:07:12.089 Oh. 204 00:07:12.090 --> 00:07:13.359 Angry. I met Sarah. 205 00:07:13.360 --> 00:07:14.649 I did a shit Zoom. 206 00:07:14.650 --> 00:07:16.119 Yeah. So. 207 00:07:16.120 --> 00:07:17.439 So that. That's actually an 208 00:07:17.440 --> 00:07:18.759 interesting thing. This wasn't like 209 00:07:18.760 --> 00:07:20.679 you all got in a happy room and you 210 00:07:20.680 --> 00:07:22.569 were eating pasta and, like, 211 00:07:22.570 --> 00:07:23.439 let's talk. 212 00:07:23.440 --> 00:07:25.569 This was pandemic era full 213 00:07:25.570 --> 00:07:27.439 on. Pandemic era was 214 00:07:27.440 --> 00:07:29.259 still here. But you did 215 00:07:29.260 --> 00:07:31.029 this on Zoom. You met through this 216 00:07:31.030 --> 00:07:32.619 on Zoom before you actually got in a 217 00:07:32.620 --> 00:07:33.519 room. 218 00:07:33.520 --> 00:07:35.349 Yeah. And anyone who's 219 00:07:35.350 --> 00:07:37.779 done a Zoom audition will know how 220 00:07:37.780 --> 00:07:39.339 hard and horrible they're. 221 00:07:40.600 --> 00:07:41.859 They're like, so they're such a 222 00:07:41.860 --> 00:07:43.569 weird thing, you know? 223 00:07:43.570 --> 00:07:45.819 But also, 224 00:07:45.820 --> 00:07:47.779 you know, it was she's amazing. 225 00:07:47.780 --> 00:07:51.009 Like, Sarah is such an incredible 226 00:07:51.010 --> 00:07:53.109 force. And I think the thing that 227 00:07:53.110 --> 00:07:55.149 really drew me to wanting to do this 228 00:07:55.150 --> 00:07:56.439 is watching her documentary, The 229 00:07:56.440 --> 00:07:57.939 Stories We Tell. 230 00:07:57.940 --> 00:07:59.289 And if there was anything that was 231 00:07:59.290 --> 00:08:01.269 going to give me kind of solace 232 00:08:01.270 --> 00:08:03.249 that somebody could lead this 233 00:08:03.250 --> 00:08:05.079 from such a powerful, vulnerable 234 00:08:05.080 --> 00:08:06.879 place, it was her because she was 235 00:08:06.880 --> 00:08:09.399 able to hold so many perspectives 236 00:08:09.400 --> 00:08:11.229 in that documentary, and it was such 237 00:08:11.230 --> 00:08:13.059 a personal story to her. 238 00:08:13.060 --> 00:08:15.249 And I was like, Wow, that's really 239 00:08:15.250 --> 00:08:17.349 that's what this film 240 00:08:17.350 --> 00:08:18.549 needs. And that's the kind of leader 241 00:08:18.550 --> 00:08:19.479 this film needs. 242 00:08:19.480 --> 00:08:20.289 Yeah. 243 00:08:20.290 --> 00:08:22.029 To endorsements for stories we tell. 244 00:08:22.030 --> 00:08:23.679 So please. 245 00:08:23.680 --> 00:08:25.839 You know, and, 246 00:08:25.840 --> 00:08:27.879 you know, just added to the kind of 247 00:08:27.880 --> 00:08:30.159 giant list of genius qualities 248 00:08:30.160 --> 00:08:31.689 that Sarah has that she can hire 249 00:08:31.690 --> 00:08:33.189 well off of Zoom. 250 00:08:33.190 --> 00:08:34.729 I have not had that experience. 251 00:08:34.730 --> 00:08:36.668 It's really frickin hard, 252 00:08:36.669 --> 00:08:37.819 you know, like. 253 00:08:37.820 --> 00:08:39.699 Anyway, but 254 00:08:39.700 --> 00:08:41.719 then. Okay, so then you 255 00:08:41.720 --> 00:08:43.569 found your. Your characters, or 256 00:08:43.570 --> 00:08:45.009 at least you've, you've pointed to 257 00:08:45.010 --> 00:08:46.869 the one. You're like, I want that 258 00:08:46.870 --> 00:08:48.189 and I want to try that. 259 00:08:48.190 --> 00:08:50.229 And, but then coming together 260 00:08:50.230 --> 00:08:52.359 as, as a clan of of actors, 261 00:08:52.360 --> 00:08:54.399 as artists, I read something 262 00:08:54.400 --> 00:08:56.289 that Fran McDormand, who is is in 263 00:08:56.290 --> 00:08:58.359 the picture but also produced, kind 264 00:08:58.360 --> 00:09:00.309 of wanted to set you guys all up on 265 00:09:00.310 --> 00:09:02.499 an isolated community somewhere 266 00:09:02.500 --> 00:09:04.839 on a farm and have you live that way 267 00:09:04.840 --> 00:09:06.759 and like really, Fran, 268 00:09:06.760 --> 00:09:09.099 it out there? 269 00:09:09.100 --> 00:09:10.389 Is that what happened? 270 00:09:10.390 --> 00:09:11.390 No. 271 00:09:12.790 --> 00:09:14.619 Fran did bring didn't she 272 00:09:14.620 --> 00:09:15.549 bring a caravan? 273 00:09:15.550 --> 00:09:16.599 Not caravan. 274 00:09:16.600 --> 00:09:17.049 A Winnebago. 275 00:09:17.050 --> 00:09:19.009 Nomadic nomad that. 276 00:09:20.040 --> 00:09:21.489 Was living in a. 277 00:09:21.490 --> 00:09:22.490 Van. 278 00:09:23.080 --> 00:09:25.029 Yeah. On the on the Mennonite 279 00:09:25.030 --> 00:09:26.859 site, waiting for people to 280 00:09:26.860 --> 00:09:27.999 join them. 281 00:09:28.000 --> 00:09:28.989 They're going to have because I 282 00:09:28.990 --> 00:09:30.009 think they realized that they 283 00:09:30.010 --> 00:09:31.929 couldn't shoot, you know, 284 00:09:31.930 --> 00:09:34.149 what they wanted to do with the, 285 00:09:34.150 --> 00:09:36.189 you know, in the with the light 286 00:09:36.190 --> 00:09:37.659 changing all day, every day. 287 00:09:37.660 --> 00:09:39.699 So unfortunately, the 288 00:09:39.700 --> 00:09:41.529 barn was in a 289 00:09:41.530 --> 00:09:43.659 studio or not a studio like a 290 00:09:43.660 --> 00:09:45.009 exhibition center because it was so 291 00:09:45.010 --> 00:09:46.239 much shooting in Toronto that we 292 00:09:46.240 --> 00:09:47.259 were in. That is weird 293 00:09:48.430 --> 00:09:49.449 what they weren't using it because 294 00:09:49.450 --> 00:09:50.859 of COVID exhibition center, which 295 00:09:50.860 --> 00:09:51.999 had a corrugated iron roof. 296 00:09:52.000 --> 00:09:53.199 So every time it rained, we had to 297 00:09:53.200 --> 00:09:54.669 stop filming, which is sort of the 298 00:09:54.670 --> 00:09:55.989 opposite of why you shoot in a 299 00:09:55.990 --> 00:09:56.990 studio. 300 00:09:57.980 --> 00:09:59.979 And but yes, 301 00:09:59.980 --> 00:10:01.839 we did. When we were out, though, we 302 00:10:01.840 --> 00:10:03.399 loved it when we were when we were 303 00:10:03.400 --> 00:10:04.629 in the colony, because basically it 304 00:10:04.630 --> 00:10:06.249 was a farm outside Toronto. 305 00:10:06.250 --> 00:10:07.749 And they built the barn and they 306 00:10:07.750 --> 00:10:09.549 built all the houses and they 307 00:10:09.550 --> 00:10:11.919 replanted the fields with soy 308 00:10:11.920 --> 00:10:13.399 like nine months before they start 309 00:10:13.400 --> 00:10:14.829 shooting. 310 00:10:14.830 --> 00:10:16.809 It felt amazing. 311 00:10:16.810 --> 00:10:18.219 And we were then able to take that 312 00:10:18.220 --> 00:10:19.479 back with us to the studio to kind 313 00:10:19.480 --> 00:10:20.499 of remember it. 314 00:10:20.500 --> 00:10:21.729 Yeah. 315 00:10:21.730 --> 00:10:23.769 And so then but were 316 00:10:23.770 --> 00:10:25.359 there exercises that you did in 317 00:10:25.360 --> 00:10:26.979 preparation? I mean, we just want to 318 00:10:26.980 --> 00:10:28.419 know, right? Like normal humans want 319 00:10:28.420 --> 00:10:29.829 to know what you extraordinary 320 00:10:29.830 --> 00:10:31.749 humans do to get in this place 321 00:10:31.750 --> 00:10:33.319 where you can do that. 322 00:10:33.320 --> 00:10:34.809 Oh, yeah. What you do up there is 323 00:10:34.810 --> 00:10:36.699 extraordinary and clearly 324 00:10:36.700 --> 00:10:38.499 is tapping into something that that 325 00:10:38.500 --> 00:10:39.819 Sarah provided for you. 326 00:10:39.820 --> 00:10:41.529 But was there any kind of 327 00:10:41.530 --> 00:10:43.599 preparation in getting into that 328 00:10:43.600 --> 00:10:44.979 real place of intimacy that 329 00:10:44.980 --> 00:10:46.749 obviously the barn scenes 330 00:10:47.950 --> 00:10:49.149 either I don't know if they 331 00:10:49.150 --> 00:10:50.829 necessitated for you, but they 332 00:10:50.830 --> 00:10:51.849 delivered for us. 333 00:10:53.080 --> 00:10:54.999 We just hung out like we just 334 00:10:55.000 --> 00:10:57.099 kind of we just hung out. 335 00:10:57.100 --> 00:10:59.079 And I think we couldn't 336 00:10:59.080 --> 00:11:00.999 really afford 337 00:11:01.000 --> 00:11:02.889 to take that home or, you 338 00:11:02.890 --> 00:11:05.799 know, it was too much. 339 00:11:05.800 --> 00:11:07.719 We were doing that 150. 340 00:11:07.720 --> 00:11:09.309 You know, we're doing scenes that 341 00:11:09.310 --> 00:11:11.499 were 150 takes over three days. 342 00:11:11.500 --> 00:11:13.419 So like you kind of got leave 343 00:11:13.420 --> 00:11:15.099 it in the attic at a certain point 344 00:11:15.100 --> 00:11:17.259 and then we'd all kind of slop 345 00:11:17.260 --> 00:11:19.029 back with her socks and sandals to 346 00:11:19.030 --> 00:11:20.769 the green room and talk about 347 00:11:20.770 --> 00:11:22.749 boyfriends, girlfriends and 348 00:11:22.750 --> 00:11:24.579 wine and, you know, like, we 349 00:11:24.580 --> 00:11:26.559 kind of needed to come away from 350 00:11:26.560 --> 00:11:27.560 it. 351 00:11:27.960 --> 00:11:29.219 I think we did. 352 00:11:29.220 --> 00:11:31.169 The first thing we probably shot was 353 00:11:31.170 --> 00:11:33.899 washing the face, didn't we? 354 00:11:33.900 --> 00:11:35.699 We were all giggling, like we were 355 00:11:35.700 --> 00:11:36.779 kind of insecure. 356 00:11:36.780 --> 00:11:38.789 I mean, if these 357 00:11:38.790 --> 00:11:38.969 four. 358 00:11:38.970 --> 00:11:40.949 Also it was like weird. 359 00:11:40.950 --> 00:11:42.659 So we did a week of rehearsal on 360 00:11:42.660 --> 00:11:44.489 Zoom and then we did a week of 361 00:11:44.490 --> 00:11:46.829 rehearsal in the hayloft but masked 362 00:11:46.830 --> 00:11:48.719 up and visor don't. 363 00:11:48.720 --> 00:11:50.309 So none of us could hear one another 364 00:11:50.310 --> 00:11:51.659 or look each other in the eye. 365 00:11:53.070 --> 00:11:54.899 And so when we were actually and 366 00:11:54.900 --> 00:11:56.219 then it's that unceremonious thing 367 00:11:56.220 --> 00:11:57.509 when you actually start shooting, 368 00:11:57.510 --> 00:11:58.379 you feel like someone should do a 369 00:11:58.380 --> 00:11:59.759 speech or something, but then you 370 00:11:59.760 --> 00:12:00.839 just find this off and then you're 371 00:12:00.840 --> 00:12:02.459 rolling. And we were like, What are 372 00:12:02.460 --> 00:12:03.699 we doing? Like we did. 373 00:12:03.700 --> 00:12:05.399 What you did launched straight into 374 00:12:05.400 --> 00:12:06.299 speech. 375 00:12:06.300 --> 00:12:08.969 I like early George. 376 00:12:08.970 --> 00:12:10.289 I was always doing a speech. 377 00:12:11.340 --> 00:12:13.220 That's a character, but. 378 00:12:14.320 --> 00:12:15.689 But, yeah, it's weird when you just 379 00:12:15.690 --> 00:12:17.459 suddenly start shooting, but I think 380 00:12:17.460 --> 00:12:18.899 that's what Sarah does so cleverly 381 00:12:18.900 --> 00:12:20.549 is where we're all very, very 382 00:12:20.550 --> 00:12:22.439 different actors and very 383 00:12:22.440 --> 00:12:23.579 different people, very different 384 00:12:23.580 --> 00:12:24.539 performers. 385 00:12:24.540 --> 00:12:26.699 But we all have a very similar ethic 386 00:12:26.700 --> 00:12:28.889 when it comes to working 387 00:12:28.890 --> 00:12:30.899 with each other and like community, 388 00:12:30.900 --> 00:12:32.819 and that no one is more 389 00:12:32.820 --> 00:12:34.409 important than the group and that we 390 00:12:34.410 --> 00:12:35.789 just were all. 391 00:12:35.790 --> 00:12:37.499 So I just immediately just went, 392 00:12:37.500 --> 00:12:39.059 right, we're here. Hello. 393 00:12:39.060 --> 00:12:40.559 I barely know you, but I'm going to 394 00:12:40.560 --> 00:12:42.449 start touching you and 395 00:12:42.450 --> 00:12:44.309 being nobody, you know, I'm like 396 00:12:44.310 --> 00:12:46.289 cuddling you and, you know, talking. 397 00:12:46.290 --> 00:12:47.339 We're going to start talking very 398 00:12:47.340 --> 00:12:48.389 intimately about things straight 399 00:12:48.390 --> 00:12:49.889 away. That's just who we all were. 400 00:12:49.890 --> 00:12:51.749 So you running on stage and hugging? 401 00:12:51.750 --> 00:12:53.699 That was part of, like, the process 402 00:12:53.700 --> 00:12:54.689 of making this movie in a little 403 00:12:54.690 --> 00:12:55.529 while. 404 00:12:55.530 --> 00:12:56.939 No. Anyway, that was a bad. 405 00:12:56.940 --> 00:12:58.769 No, but the but weirdly, like, 406 00:12:58.770 --> 00:13:00.689 the women were very like that's 407 00:13:00.690 --> 00:13:01.979 the one thing that Miriam, who wrote 408 00:13:01.980 --> 00:13:03.569 the book, was very clear about, that 409 00:13:03.570 --> 00:13:05.009 the women were very tactile with 410 00:13:05.010 --> 00:13:05.849 each other. 411 00:13:05.850 --> 00:13:07.469 They loved to laugh. 412 00:13:07.470 --> 00:13:09.029 And so what was happening in the 413 00:13:09.030 --> 00:13:10.979 film was also we just laughed 414 00:13:10.980 --> 00:13:13.559 all the time. It was so silly. 415 00:13:13.560 --> 00:13:14.939 So, so silly. 416 00:13:14.940 --> 00:13:16.769 And just very just straight 417 00:13:16.770 --> 00:13:18.659 away. Very like, yeah, yeah. 418 00:13:19.680 --> 00:13:21.239 Incredible. 419 00:13:21.240 --> 00:13:23.309 Especially the part about the 420 00:13:23.310 --> 00:13:24.929 masks and the visors. 421 00:13:24.930 --> 00:13:26.819 Um. Wow. 422 00:13:26.820 --> 00:13:29.129 More and more miraculous, but 423 00:13:29.130 --> 00:13:31.019 so serious. 424 00:13:31.020 --> 00:13:32.939 Now, the three kind 425 00:13:32.940 --> 00:13:34.469 of choice points, right? 426 00:13:34.470 --> 00:13:36.329 Do nothing. Stay and fight 427 00:13:36.330 --> 00:13:37.799 and leave. 428 00:13:37.800 --> 00:13:39.809 It's a conflict that's in 429 00:13:39.810 --> 00:13:41.459 all of them that they're there 430 00:13:41.460 --> 00:13:43.319 processing it. It also feels very 431 00:13:43.320 --> 00:13:45.179 directly if we're paying attention 432 00:13:45.180 --> 00:13:46.139 in all of us. 433 00:13:46.140 --> 00:13:48.119 Right. And things in our lives 434 00:13:48.120 --> 00:13:49.120 that we have to. 435 00:13:50.110 --> 00:13:51.339 To to grapple with. 436 00:13:51.340 --> 00:13:52.689 And so this kind of internal 437 00:13:52.690 --> 00:13:54.669 conflict versus the public, 438 00:13:54.670 --> 00:13:56.409 at least within the realm of the 439 00:13:56.410 --> 00:13:58.479 cohort that's having the discussion, 440 00:13:58.480 --> 00:14:00.429 public conversation or argument. 441 00:14:03.040 --> 00:14:05.709 Did did did you 442 00:14:05.710 --> 00:14:07.299 process any any of that that 443 00:14:07.300 --> 00:14:09.489 internal conflict that's obviously 444 00:14:09.490 --> 00:14:10.989 in your character, right. 445 00:14:10.990 --> 00:14:12.699 The things that she has to to 446 00:14:12.700 --> 00:14:14.619 process versus what she 447 00:14:14.620 --> 00:14:16.449 is saying or arguing in front of 448 00:14:16.450 --> 00:14:18.819 the group. Because sometimes 449 00:14:18.820 --> 00:14:20.769 I would perceive that, you know, 450 00:14:20.770 --> 00:14:21.999 sometimes you argue things that, you 451 00:14:22.000 --> 00:14:23.109 know, you don't believe. 452 00:14:23.110 --> 00:14:25.059 Right. Because you just feel you 453 00:14:25.060 --> 00:14:26.679 have to win or you have to make this 454 00:14:26.680 --> 00:14:29.169 point. Was that part of 455 00:14:29.170 --> 00:14:31.689 what you put into this at all or 456 00:14:31.690 --> 00:14:32.690 am I just projecting? 457 00:14:34.720 --> 00:14:36.909 I don't know. I think yeah, we 458 00:14:36.910 --> 00:14:37.749 probably did. 459 00:14:37.750 --> 00:14:39.699 I mean, like these this is that 460 00:14:39.700 --> 00:14:41.919 these women have never had 461 00:14:41.920 --> 00:14:43.809 that, you know, 462 00:14:43.810 --> 00:14:46.019 conversation or that thought or 463 00:14:46.020 --> 00:14:47.949 even been allowed to 464 00:14:47.950 --> 00:14:50.169 speak that conflict 465 00:14:50.170 --> 00:14:52.269 out between each 466 00:14:52.270 --> 00:14:54.159 other and within themselves ever 467 00:14:54.160 --> 00:14:56.319 in their life. Like they created 468 00:14:56.320 --> 00:14:57.879 a space where that could happen. 469 00:14:57.880 --> 00:14:59.829 And I don't think 470 00:14:59.830 --> 00:15:01.869 it was ever for any of them, a kind 471 00:15:01.870 --> 00:15:04.279 of black and white experience 472 00:15:04.280 --> 00:15:06.339 like these women transcended through 473 00:15:06.340 --> 00:15:08.979 the conflict to find something 474 00:15:08.980 --> 00:15:10.989 new about themselves through that. 475 00:15:12.070 --> 00:15:13.659 And for me, anyway, I don't know, it 476 00:15:13.660 --> 00:15:15.699 was never even though, you know, 477 00:15:15.700 --> 00:15:17.709 I kind of fly the flag 478 00:15:17.710 --> 00:15:18.710 of do nothing. 479 00:15:20.980 --> 00:15:22.869 It wasn't just for 480 00:15:22.870 --> 00:15:24.759 me, like it was a kind of 481 00:15:24.760 --> 00:15:25.869 wrangling. 482 00:15:25.870 --> 00:15:26.409 Ness. 483 00:15:26.410 --> 00:15:29.109 Of fear, of not knowing 484 00:15:29.110 --> 00:15:29.949 where we're going. 485 00:15:29.950 --> 00:15:31.089 You know, sometimes it's better the 486 00:15:31.090 --> 00:15:31.989 devil, you know. 487 00:15:31.990 --> 00:15:34.059 You know, like it's maybe 488 00:15:34.060 --> 00:15:35.079 easier for Marika. 489 00:15:35.080 --> 00:15:36.489 And it was like there was part of 490 00:15:36.490 --> 00:15:38.619 her that maybe it was easier to 491 00:15:38.620 --> 00:15:40.449 to live or survive the life 492 00:15:40.450 --> 00:15:42.279 she'd always known in the hope 493 00:15:42.280 --> 00:15:43.990 that the next life will be better. 494 00:15:45.070 --> 00:15:47.019 But the thing that she came through 495 00:15:47.020 --> 00:15:49.509 is actually no, there's enough to 496 00:15:49.510 --> 00:15:50.919 hope for in this life. 497 00:15:50.920 --> 00:15:53.169 And having a community around 498 00:15:53.170 --> 00:15:55.749 her to kind of 499 00:15:55.750 --> 00:15:57.819 break that spell and let her hope 500 00:15:57.820 --> 00:15:59.709 for that was kind of my 501 00:15:59.710 --> 00:16:00.669 experience anyway. 502 00:16:00.670 --> 00:16:01.670 What about you, Claire? 503 00:16:03.480 --> 00:16:04.480 Um. 504 00:16:05.790 --> 00:16:07.529 Oh, that was so. 505 00:16:07.530 --> 00:16:08.369 Lovely. 506 00:16:08.370 --> 00:16:10.229 Um, I don't 507 00:16:10.230 --> 00:16:12.929 I it's weird because, actually, 508 00:16:12.930 --> 00:16:14.219 I don't know whether this is just my 509 00:16:14.220 --> 00:16:16.119 stupidity as a person, but I, 510 00:16:16.120 --> 00:16:18.149 I, I, I couldn't hear 511 00:16:18.150 --> 00:16:19.979 some of the arguments and I 512 00:16:19.980 --> 00:16:21.839 think that was Salem's 513 00:16:21.840 --> 00:16:23.729 lack of she didn't want to hear the 514 00:16:23.730 --> 00:16:24.989 other arguments. 515 00:16:24.990 --> 00:16:26.219 She sort of didn't have the space or 516 00:16:26.220 --> 00:16:28.259 time to have a theoretical 517 00:16:28.260 --> 00:16:29.879 debate about who's guilty or not 518 00:16:29.880 --> 00:16:31.709 guilty. She's like, there's bigger 519 00:16:31.710 --> 00:16:33.299 fish to fry in this room. 520 00:16:33.300 --> 00:16:34.889 And I think the I didn't really 521 00:16:34.890 --> 00:16:36.419 grasp and that does happen to be 522 00:16:36.420 --> 00:16:37.859 quite a lot like I can't ever really 523 00:16:37.860 --> 00:16:39.029 get ahead of my character in a 524 00:16:39.030 --> 00:16:40.739 story. I'm not very good at seeing 525 00:16:40.740 --> 00:16:42.209 the bigger picture of the story. 526 00:16:42.210 --> 00:16:43.949 Like, I'm pretty myopic in the sense 527 00:16:43.950 --> 00:16:45.929 that I'm like from my character's 528 00:16:45.930 --> 00:16:47.489 point of view, I'm seeing what's 529 00:16:47.490 --> 00:16:48.869 happening as opposed to being able 530 00:16:48.870 --> 00:16:49.870 to see the arc of it, 531 00:16:50.940 --> 00:16:52.889 which is why directors are really 532 00:16:52.890 --> 00:16:54.749 great to keep you 533 00:16:54.750 --> 00:16:55.709 aware of what I. 534 00:16:55.710 --> 00:16:57.149 Think you're describing focus 535 00:16:57.150 --> 00:16:57.809 actually, which is. 536 00:16:57.810 --> 00:16:59.249 A good thing. 537 00:16:59.250 --> 00:17:00.929 But so a lot of the arguments 538 00:17:00.930 --> 00:17:02.849 watching it back, weirdly, I was 539 00:17:02.850 --> 00:17:04.828 like, Oh, okay, 540 00:17:04.829 --> 00:17:06.358 because you're so focused on going, 541 00:17:06.359 --> 00:17:08.189 no, no, no, no 542 00:17:08.190 --> 00:17:10.139 in your own head, or that's what 543 00:17:10.140 --> 00:17:12.150 Salem's doing. I think that 544 00:17:13.440 --> 00:17:15.239 that you don't hear the nuance and 545 00:17:15.240 --> 00:17:17.129 you're, you know, obviously I 546 00:17:17.130 --> 00:17:19.289 saw it and I did terror as an actor 547 00:17:19.290 --> 00:17:20.459 because we did it, you know, so many 548 00:17:20.460 --> 00:17:22.618 times. But really 549 00:17:22.619 --> 00:17:23.818 understanding the significance of 550 00:17:23.819 --> 00:17:25.588 what those conversations are, really 551 00:17:25.589 --> 00:17:28.108 seeing the owner and Gretta and 552 00:17:28.109 --> 00:17:30.089 A are able to 553 00:17:30.090 --> 00:17:31.529 live in a world where they can 554 00:17:31.530 --> 00:17:32.669 discuss those things without 555 00:17:32.670 --> 00:17:34.649 attaching it like such a strong 556 00:17:34.650 --> 00:17:36.179 reaction to it was pretty amazing 557 00:17:36.180 --> 00:17:38.549 because Salem's always 558 00:17:38.550 --> 00:17:40.539 like, like full 559 00:17:40.540 --> 00:17:42.389 like foot on the pedal all the time. 560 00:17:42.390 --> 00:17:43.859 Yeah. 561 00:17:43.860 --> 00:17:45.719 And she's someone we want 562 00:17:45.720 --> 00:17:47.159 to latch on to because of that, 563 00:17:47.160 --> 00:17:48.989 right? Because she, you know, 564 00:17:48.990 --> 00:17:50.969 she's emanating strength or at least 565 00:17:50.970 --> 00:17:53.399 the appearance of strength, which is 566 00:17:53.400 --> 00:17:55.049 something to be admired that the 567 00:17:55.050 --> 00:17:57.269 question I had, you know, 568 00:17:57.270 --> 00:17:58.499 like kind of what scared you the 569 00:17:58.500 --> 00:18:00.569 most about your character and what 570 00:18:00.570 --> 00:18:02.669 did you admire most about 571 00:18:02.670 --> 00:18:03.670 your character? 572 00:18:08.460 --> 00:18:10.509 Mm hmm. 573 00:18:10.510 --> 00:18:12.909 I think I. 574 00:18:12.910 --> 00:18:14.829 I didn't really realize it at 575 00:18:14.830 --> 00:18:16.749 the time, but the thing that I 576 00:18:16.750 --> 00:18:18.819 was scared of with Mary Kay was 577 00:18:18.820 --> 00:18:20.769 how internalized 578 00:18:20.770 --> 00:18:22.119 that violence was. 579 00:18:22.120 --> 00:18:24.249 You know, she wasn't, um. 580 00:18:24.250 --> 00:18:26.049 She didn't like herself very much. 581 00:18:26.050 --> 00:18:28.099 And, um. 582 00:18:30.350 --> 00:18:31.909 I guess when that starts to get 583 00:18:31.910 --> 00:18:33.889 poked, how 584 00:18:33.890 --> 00:18:36.019 that expresses itself and how scary 585 00:18:36.020 --> 00:18:37.849 it is for that thing to 586 00:18:37.850 --> 00:18:39.829 start to kind of come out 587 00:18:39.830 --> 00:18:41.749 or get dissolved or change 588 00:18:41.750 --> 00:18:42.750 is 589 00:18:43.810 --> 00:18:44.869 is scary. 590 00:18:44.870 --> 00:18:46.279 You know, you have to let go. 591 00:18:48.590 --> 00:18:50.719 And I 592 00:18:50.720 --> 00:18:52.549 kind of tried and 593 00:18:52.550 --> 00:18:55.069 wanted to not judge this woman 594 00:18:55.070 --> 00:18:56.070 because. 595 00:18:57.190 --> 00:18:59.109 In a way, there is like this 596 00:18:59.110 --> 00:19:00.849 monster, you know, that was like 597 00:19:00.850 --> 00:19:02.859 inside her. And the only 598 00:19:02.860 --> 00:19:04.659 way you kind of team that monster is 599 00:19:04.660 --> 00:19:06.389 to kind of look it in the eyes. 600 00:19:06.390 --> 00:19:08.689 Um, but the thing, I, 601 00:19:08.690 --> 00:19:10.609 I, I, 602 00:19:10.610 --> 00:19:12.609 I don't know. I love 603 00:19:12.610 --> 00:19:14.739 her so much 604 00:19:14.740 --> 00:19:16.659 and I've learned so much from 605 00:19:16.660 --> 00:19:17.649 her. 606 00:19:17.650 --> 00:19:20.949 And I think 607 00:19:20.950 --> 00:19:23.319 what I've loved about her is 608 00:19:23.320 --> 00:19:25.209 kind of where all of 609 00:19:25.210 --> 00:19:26.799 her, you know, like, in a way, 610 00:19:28.120 --> 00:19:30.159 these women, us, all 611 00:19:30.160 --> 00:19:31.479 of us have kind of had to be 612 00:19:31.480 --> 00:19:33.309 physically and emotionally contorted 613 00:19:33.310 --> 00:19:35.169 to be palatable to the world in some 614 00:19:35.170 --> 00:19:36.609 shape or form. But life's not that 615 00:19:36.610 --> 00:19:38.649 simple, and 616 00:19:38.650 --> 00:19:39.999 she's probably the ugliest 617 00:19:40.000 --> 00:19:42.249 contortion of what that embodies, 618 00:19:42.250 --> 00:19:43.659 and she has to break that. 619 00:19:43.660 --> 00:19:45.669 And when she does break that, 620 00:19:45.670 --> 00:19:47.499 the kind of pride 621 00:19:47.500 --> 00:19:49.389 she has of her 622 00:19:49.390 --> 00:19:51.219 daughter who catalyzed 623 00:19:51.220 --> 00:19:53.199 this whole thing 624 00:19:53.200 --> 00:19:55.299 is the thing that I loved the most 625 00:19:55.300 --> 00:19:56.529 about her. You know, that moment 626 00:19:56.530 --> 00:19:58.539 when she she's seeing her the whole 627 00:19:58.540 --> 00:20:00.819 way through, which is terrifying 628 00:20:00.820 --> 00:20:02.889 for her because her daughter saying, 629 00:20:02.890 --> 00:20:04.569 look, mom, look, you can look in the 630 00:20:04.570 --> 00:20:05.889 mirror and you can see something 631 00:20:05.890 --> 00:20:07.299 else in yourself. 632 00:20:07.300 --> 00:20:08.829 And when she does do that and they 633 00:20:08.830 --> 00:20:10.869 have that moment is just like 634 00:20:10.870 --> 00:20:12.129 was amazing. 635 00:20:12.130 --> 00:20:13.130 Yeah. Wow. 636 00:20:20.470 --> 00:20:21.470 Uh. 637 00:20:22.640 --> 00:20:24.469 I'll say with what I loved first, 638 00:20:24.470 --> 00:20:25.880 because basically everything 639 00:20:27.380 --> 00:20:29.269 I 640 00:20:29.270 --> 00:20:32.209 loved, everything 641 00:20:32.210 --> 00:20:34.309 I just did. I just like 642 00:20:34.310 --> 00:20:36.079 the way Miriam wrote her in the book 643 00:20:36.080 --> 00:20:37.909 was just 644 00:20:37.910 --> 00:20:40.029 she did things like that 645 00:20:40.030 --> 00:20:41.629 to push the boundaries of what the 646 00:20:41.630 --> 00:20:42.630 community meant. 647 00:20:43.610 --> 00:20:45.509 And Salem is not the most educate 648 00:20:45.510 --> 00:20:46.789 like her sister is very educated. 649 00:20:46.790 --> 00:20:47.990 She's not very educated 650 00:20:49.430 --> 00:20:50.869 yet. She would still they used to 651 00:20:50.870 --> 00:20:52.309 have a bell, did you know that? 652 00:20:52.310 --> 00:20:53.479 But they had a bell which told them 653 00:20:53.480 --> 00:20:55.489 what time to eat 654 00:20:55.490 --> 00:20:57.169 like a big bell in the book. 655 00:20:57.170 --> 00:20:59.239 And Salem like went and took 656 00:20:59.240 --> 00:21:00.649 the bell down like a big massive 657 00:21:00.650 --> 00:21:02.629 bell and just like took 658 00:21:02.630 --> 00:21:03.679 it home with her. 659 00:21:03.680 --> 00:21:04.939 And they were like, Oh, where's the 660 00:21:04.940 --> 00:21:06.799 bell? And she, as 661 00:21:06.800 --> 00:21:08.059 she was said, No one's going to tell 662 00:21:08.060 --> 00:21:09.289 me when to eat. 663 00:21:09.290 --> 00:21:10.789 And normally in that sort of 664 00:21:10.790 --> 00:21:12.169 community, you would get excommunicated, 665 00:21:12.170 --> 00:21:13.429 like you be out. 666 00:21:13.430 --> 00:21:15.139 But the thing about Salem was she 667 00:21:15.140 --> 00:21:16.249 couldn't be out because she was the 668 00:21:16.250 --> 00:21:17.149 community. 669 00:21:17.150 --> 00:21:19.189 And you see that in the film with 670 00:21:19.190 --> 00:21:21.199 her. Her and Miao do 671 00:21:21.200 --> 00:21:23.389 not get along, but the 672 00:21:23.390 --> 00:21:24.829 she's the first person that to help 673 00:21:24.830 --> 00:21:26.479 her. She's going to be the first 674 00:21:26.480 --> 00:21:27.859 person outside your door 675 00:21:28.940 --> 00:21:30.019 with food. 676 00:21:30.020 --> 00:21:31.909 If you're having if you're ill, 677 00:21:31.910 --> 00:21:33.019 that's who she is. 678 00:21:33.020 --> 00:21:34.549 And she's basically the person you 679 00:21:34.550 --> 00:21:35.749 want in a fight. If there was, like, 680 00:21:35.750 --> 00:21:37.519 a bear outside your door. 681 00:21:37.520 --> 00:21:39.559 Salem doesn't think she does, does 682 00:21:39.560 --> 00:21:40.579 she? Protects the people that she 683 00:21:40.580 --> 00:21:41.839 loves. And that's why she goes. 684 00:21:41.840 --> 00:21:42.649 And that's what she does. 685 00:21:42.650 --> 00:21:44.989 She doesn't think about things 686 00:21:44.990 --> 00:21:46.819 and that's why she's with owner is 687 00:21:46.820 --> 00:21:48.679 really interesting difficulty that 688 00:21:48.680 --> 00:21:50.239 they have because she all owner does 689 00:21:50.240 --> 00:21:52.719 is think she doesn't do anything 690 00:21:52.720 --> 00:21:54.919 it doesn't she's like what's what 691 00:21:54.920 --> 00:21:56.299 are you doing? 692 00:21:56.300 --> 00:21:58.279 So she's, you know, she, she 693 00:21:58.280 --> 00:21:59.659 just does. 694 00:21:59.660 --> 00:22:02.089 But I think I was scared 695 00:22:02.090 --> 00:22:03.679 just as an actor. 696 00:22:03.680 --> 00:22:05.659 I think I was 697 00:22:05.660 --> 00:22:07.699 very scared about 698 00:22:07.700 --> 00:22:09.679 taking up that space. 699 00:22:09.680 --> 00:22:11.659 Like, I've 700 00:22:11.660 --> 00:22:13.309 never done anything big. 701 00:22:13.310 --> 00:22:15.229 I've never done any, like, big 702 00:22:15.230 --> 00:22:17.269 acting, really. 703 00:22:19.190 --> 00:22:21.079 A lots of reasons I don't really 704 00:22:21.080 --> 00:22:23.509 know, but it sort of scares me 705 00:22:23.510 --> 00:22:25.489 being big because I'm like, Oh 706 00:22:25.490 --> 00:22:26.869 no, because there's other people 707 00:22:26.870 --> 00:22:28.789 here and it's been embarrassing and 708 00:22:28.790 --> 00:22:30.559 oh, like, you just scared that 709 00:22:30.560 --> 00:22:31.729 someone's going to say, Your face 710 00:22:31.730 --> 00:22:33.259 looks a bit strange when you're a 711 00:22:33.260 --> 00:22:35.839 bit like you're like doing that. 712 00:22:35.840 --> 00:22:37.669 And so I was just, I was just 713 00:22:37.670 --> 00:22:38.869 a bit afraid of, 714 00:22:39.920 --> 00:22:41.839 I hadn't how to play the character 715 00:22:41.840 --> 00:22:43.669 where someone had said, go, go, go, 716 00:22:43.670 --> 00:22:45.439 go, go. Like, spread your wings, off 717 00:22:45.440 --> 00:22:47.119 you go. Be loud, do it. 718 00:22:47.120 --> 00:22:47.959 Be aggressive. 719 00:22:47.960 --> 00:22:50.419 Be really, really aggressive. 720 00:22:50.420 --> 00:22:51.649 And so I was quite afraid of that. 721 00:22:51.650 --> 00:22:52.969 But as soon as I did it, I couldn't 722 00:22:52.970 --> 00:22:53.970 stop. So 723 00:22:54.810 --> 00:22:56.899 so I loved it as well. 724 00:22:56.900 --> 00:22:58.219 But yeah, that was the biggest fear 725 00:22:58.220 --> 00:22:59.929 was like taking that space up, I 726 00:22:59.930 --> 00:23:00.739 suppose. 727 00:23:00.740 --> 00:23:02.629 Don't stop your death. 728 00:23:02.630 --> 00:23:04.339 You take up space very well. 729 00:23:04.340 --> 00:23:05.299 It's great. 730 00:23:05.300 --> 00:23:07.219 So we'll have time for one or two 731 00:23:07.220 --> 00:23:08.149 questions from the audience. 732 00:23:08.150 --> 00:23:09.619 So get them ready and an usher will 733 00:23:09.620 --> 00:23:12.109 come by and hand you a mic. 734 00:23:12.110 --> 00:23:13.939 While that's happening, I did 735 00:23:13.940 --> 00:23:15.889 want to pivot to the 736 00:23:15.890 --> 00:23:17.749 one gentleman in 737 00:23:17.750 --> 00:23:18.750 the room. 738 00:23:19.640 --> 00:23:21.529 And, you know, I have to I have 739 00:23:21.530 --> 00:23:22.530 to say 740 00:23:23.450 --> 00:23:25.309 that that there was a space 741 00:23:25.310 --> 00:23:27.319 made for a man who, 742 00:23:29.270 --> 00:23:31.099 you know, who was had 743 00:23:31.100 --> 00:23:32.479 somehow proven his allyship. 744 00:23:32.480 --> 00:23:34.399 Right. That that was safe and that 745 00:23:34.400 --> 00:23:36.559 was welcomed in this community 746 00:23:36.560 --> 00:23:38.539 of women. I mean, it it spoke 747 00:23:38.540 --> 00:23:40.189 to a lot of us that have been 748 00:23:40.190 --> 00:23:41.419 fortunate enough to find us 749 00:23:41.420 --> 00:23:42.769 ourselves in that situation. 750 00:23:42.770 --> 00:23:44.479 A lot of times it's the gay boy 751 00:23:44.480 --> 00:23:45.649 high. 752 00:23:45.650 --> 00:23:46.970 A lot of times it's, 753 00:23:48.050 --> 00:23:49.969 you know, the the the man who 754 00:23:49.970 --> 00:23:52.069 has been outcast himself, 755 00:23:52.070 --> 00:23:53.869 as is the case in Ben Whishaw, his 756 00:23:53.870 --> 00:23:56.959 character. And he's spectacular. 757 00:23:56.960 --> 00:23:59.419 Maybe just talk a little bit about 758 00:23:59.420 --> 00:24:00.619 your experience of working with him. 759 00:24:00.620 --> 00:24:01.909 I mean, he's he's extraordinary, 760 00:24:01.910 --> 00:24:03.769 obviously, but obviously a lot of 761 00:24:03.770 --> 00:24:05.509 pressure on him as well, probably, 762 00:24:05.510 --> 00:24:06.510 too. 763 00:24:07.310 --> 00:24:08.389 I mean, he does the opposite, right? 764 00:24:08.390 --> 00:24:09.679 He's he's not taking up space. 765 00:24:09.680 --> 00:24:11.719 And that's very much the point 766 00:24:11.720 --> 00:24:13.099 of of his character. 767 00:24:13.100 --> 00:24:14.569 I just sit in this and can say this 768 00:24:14.570 --> 00:24:15.499 because he's not here. There's no 769 00:24:15.500 --> 00:24:16.879 one like him. 770 00:24:16.880 --> 00:24:18.949 I've never worked with an actor. 771 00:24:18.950 --> 00:24:19.729 A male actor. 772 00:24:19.730 --> 00:24:21.979 Who is 773 00:24:21.980 --> 00:24:23.899 it? I mean, I just just 774 00:24:23.900 --> 00:24:25.879 the idea that he took the part 775 00:24:25.880 --> 00:24:27.709 is a sign of who 776 00:24:27.710 --> 00:24:29.479 he is and what sort of an actor is. 777 00:24:30.710 --> 00:24:32.539 He never felt 778 00:24:32.540 --> 00:24:34.279 like he wasn't part of the group. 779 00:24:34.280 --> 00:24:36.109 He never felt like he wasn't 780 00:24:36.110 --> 00:24:37.489 a really valued member. 781 00:24:37.490 --> 00:24:39.109 He never felt like his opinion and 782 00:24:39.110 --> 00:24:40.789 like he was he was just a he was the 783 00:24:40.790 --> 00:24:42.079 fabric of it. It couldn't have been 784 00:24:42.080 --> 00:24:43.279 made without him. Like it couldn't 785 00:24:43.280 --> 00:24:45.049 have been made without any of the 786 00:24:45.050 --> 00:24:46.759 men on the crew with any of the men 787 00:24:46.760 --> 00:24:47.960 involved in the movie. 788 00:24:49.550 --> 00:24:51.409 He just 789 00:24:51.410 --> 00:24:53.269 it was one of the I have wanted 790 00:24:53.270 --> 00:24:54.829 to work with him for a very long 791 00:24:54.830 --> 00:24:56.899 time and just presumed 792 00:24:56.900 --> 00:24:57.769 I wouldn't. 793 00:24:57.770 --> 00:24:59.719 And getting to act 794 00:24:59.720 --> 00:25:01.069 one on one with him in a scene, it 795 00:25:01.070 --> 00:25:03.079 was just one of the best things 796 00:25:03.080 --> 00:25:05.119 in my professional life because 797 00:25:05.120 --> 00:25:06.979 he's an open 798 00:25:06.980 --> 00:25:08.869 book he wears on his 799 00:25:08.870 --> 00:25:09.679 sleeve. 800 00:25:09.680 --> 00:25:11.419 There's just no there is no I can't 801 00:25:11.420 --> 00:25:12.589 even say enough. There's no one like 802 00:25:12.590 --> 00:25:14.309 him. No one like. 803 00:25:14.310 --> 00:25:16.169 And he made us all cry. 804 00:25:16.170 --> 00:25:17.189 He made me cry. 805 00:25:17.190 --> 00:25:18.989 But yeah. 806 00:25:18.990 --> 00:25:20.639 Yeah, yeah. 807 00:25:20.640 --> 00:25:22.589 Um, do we have 808 00:25:22.590 --> 00:25:23.590 audience questions? 809 00:25:26.090 --> 00:25:28.099 I'll leave it to the their ushers. 810 00:25:28.100 --> 00:25:28.969 I think they're going to bring 811 00:25:28.970 --> 00:25:29.970 Mike's. 812 00:25:36.480 --> 00:25:37.480 So. 813 00:25:38.150 --> 00:25:39.150 My question. 814 00:25:40.340 --> 00:25:42.769 The decision making is so convoluted 815 00:25:42.770 --> 00:25:45.139 for all these individual women. 816 00:25:45.140 --> 00:25:47.059 Did you shoot it in order? 817 00:25:47.060 --> 00:25:49.039 And how did you help 818 00:25:49.040 --> 00:25:51.499 the younger actresses 819 00:25:51.500 --> 00:25:53.599 get through all everything 820 00:25:53.600 --> 00:25:55.129 they had to get through watching 821 00:25:55.130 --> 00:25:56.130 these older women? 822 00:25:58.590 --> 00:25:59.999 We did choose an order. 823 00:26:00.000 --> 00:26:01.769 Yeah. Apart from when we went 824 00:26:01.770 --> 00:26:03.659 outside and 825 00:26:03.660 --> 00:26:05.639 kind of we would jump out and 826 00:26:05.640 --> 00:26:07.079 get some stuff outside in the 827 00:26:07.080 --> 00:26:08.640 cornfields or soya fields. 828 00:26:10.380 --> 00:26:12.539 But for the younger 829 00:26:12.540 --> 00:26:14.699 girls, women, 830 00:26:14.700 --> 00:26:16.739 they, um, well, 831 00:26:16.740 --> 00:26:18.989 it's Sarah and Dee Dee and Fran 832 00:26:18.990 --> 00:26:21.839 who created a space where those 833 00:26:21.840 --> 00:26:24.689 women were completely 834 00:26:24.690 --> 00:26:26.639 supported. We had a therapist 835 00:26:26.640 --> 00:26:28.649 on set and 836 00:26:28.650 --> 00:26:30.449 any there were moments where it was 837 00:26:30.450 --> 00:26:32.789 too much and Sarah would say, okay, 838 00:26:32.790 --> 00:26:33.749 we're going to come back when we're 839 00:26:33.750 --> 00:26:34.649 ready. 840 00:26:34.650 --> 00:26:36.749 And so there would be somebody there 841 00:26:36.750 --> 00:26:38.939 to go and talk with the girls. 842 00:26:38.940 --> 00:26:41.009 And, um, 843 00:26:41.010 --> 00:26:43.079 and to be honest, I feel like I 844 00:26:43.080 --> 00:26:44.129 learned more. 845 00:26:44.130 --> 00:26:46.469 I'm learning more from them, 846 00:26:46.470 --> 00:26:47.789 and they're probably learning from 847 00:26:47.790 --> 00:26:50.699 me. Like one of the great privileges 848 00:26:50.700 --> 00:26:52.799 of doing this job 849 00:26:52.800 --> 00:26:54.899 and going on the road 850 00:26:54.900 --> 00:26:56.969 with it is hearing them speak 851 00:26:56.970 --> 00:26:58.559 and articulating things at the age 852 00:26:58.560 --> 00:27:01.379 of 17 and 18, which I would never, 853 00:27:01.380 --> 00:27:03.389 ever, ever have known to say, 854 00:27:03.390 --> 00:27:05.429 to know that they can 855 00:27:05.430 --> 00:27:07.319 expect more from the world 856 00:27:07.320 --> 00:27:08.879 that they're stepping out into. 857 00:27:08.880 --> 00:27:10.649 And before they came into this job, 858 00:27:10.650 --> 00:27:11.639 they thought they had to be good 859 00:27:11.640 --> 00:27:12.449 girls. 860 00:27:12.450 --> 00:27:13.439 They thought they had to just be 861 00:27:13.440 --> 00:27:14.579 good at their job. 862 00:27:14.580 --> 00:27:15.779 And then they came to set and they 863 00:27:15.780 --> 00:27:16.739 realized that there was more 864 00:27:16.740 --> 00:27:17.969 expected of them. 865 00:27:17.970 --> 00:27:19.619 And now, in turn, they realize 866 00:27:19.620 --> 00:27:21.479 there's they can expect more 867 00:27:21.480 --> 00:27:22.649 from the world. 868 00:27:22.650 --> 00:27:24.779 And I feel like 869 00:27:24.780 --> 00:27:26.639 if that is the future, 870 00:27:26.640 --> 00:27:27.719 we're going to be fine. 871 00:27:29.580 --> 00:27:31.319 I mean, I actually had a follow on 872 00:27:31.320 --> 00:27:33.209 that. What was 873 00:27:33.210 --> 00:27:35.039 your experience of working 874 00:27:35.040 --> 00:27:37.049 with Judith Ivy 875 00:27:37.050 --> 00:27:39.209 and Sheila McCarthy? 876 00:27:39.210 --> 00:27:40.709 McCarthy Macartney. 877 00:27:40.710 --> 00:27:42.659 McCarthy Who 878 00:27:42.660 --> 00:27:45.339 were kind of and Fran, obviously, 879 00:27:45.340 --> 00:27:47.399 Sarah is more of your generation, 880 00:27:47.400 --> 00:27:48.719 like working with the more 881 00:27:48.720 --> 00:27:50.669 established generation as well. 882 00:27:52.480 --> 00:27:53.589 Just you know, 883 00:27:54.610 --> 00:27:56.079 obviously there were many different 884 00:27:56.080 --> 00:27:57.999 generations and all of us learn from 885 00:27:58.000 --> 00:28:00.009 each other, but also just that 886 00:28:00.010 --> 00:28:02.889 it was such an egalitarian 887 00:28:02.890 --> 00:28:04.029 equal set 888 00:28:05.080 --> 00:28:07.419 and it never felt like anybody 889 00:28:07.420 --> 00:28:08.649 had any. 890 00:28:08.650 --> 00:28:10.719 It was never so 891 00:28:10.720 --> 00:28:12.129 there was no hierarchy. 892 00:28:12.130 --> 00:28:13.779 And that meant that, you know, you 893 00:28:13.780 --> 00:28:14.979 would be having the same I would be 894 00:28:14.980 --> 00:28:16.089 having the same conversation with 895 00:28:16.090 --> 00:28:17.799 you just as I would be with Kate is 896 00:28:17.800 --> 00:28:19.599 the younger and everyone would have 897 00:28:19.600 --> 00:28:21.339 something to offer. 898 00:28:21.340 --> 00:28:23.409 And it felt like I 899 00:28:23.410 --> 00:28:24.819 spoke to that. 900 00:28:24.820 --> 00:28:25.929 Both mothers, I'm a mother. 901 00:28:25.930 --> 00:28:26.829 I was about to do this, you know, a 902 00:28:26.830 --> 00:28:28.899 lot about how enough they continue 903 00:28:28.900 --> 00:28:30.250 to have a career and have a child. 904 00:28:31.270 --> 00:28:33.489 But that also was 905 00:28:33.490 --> 00:28:34.359 all the girls. 906 00:28:34.360 --> 00:28:35.439 We were all involved in, all the 907 00:28:35.440 --> 00:28:36.489 conversations all the time. 908 00:28:36.490 --> 00:28:38.739 So loads 909 00:28:38.740 --> 00:28:40.689 basically. But I also don't want to 910 00:28:40.690 --> 00:28:42.519 diminish any group 911 00:28:42.520 --> 00:28:43.899 in that by saying that any 912 00:28:43.900 --> 00:28:45.729 particular, you know, everyone had 913 00:28:45.730 --> 00:28:46.839 so much to offer. 914 00:28:46.840 --> 00:28:48.459 And like Jessie said, we learned 915 00:28:48.460 --> 00:28:50.589 like the younger girls. 916 00:28:50.590 --> 00:28:52.419 I mean, it's rarer 917 00:28:52.420 --> 00:28:53.919 that you get to work generationally 918 00:28:53.920 --> 00:28:55.119 with so many different people. 919 00:28:55.120 --> 00:28:56.679 And it was just really encouraging 920 00:28:56.680 --> 00:28:57.669 that everyone was sort of on the 921 00:28:57.670 --> 00:28:58.209 same page. 922 00:28:58.210 --> 00:29:00.159 Still, and that was their first 923 00:29:00.160 --> 00:29:02.589 job. Like, you know, those 924 00:29:02.590 --> 00:29:04.899 they'd never act as before. 925 00:29:04.900 --> 00:29:06.729 Liv Had she 926 00:29:06.730 --> 00:29:08.529 been actually, she'd made a short 927 00:29:08.530 --> 00:29:10.149 film during the pandemic. 928 00:29:10.150 --> 00:29:11.409 I can't remember the name of it. 929 00:29:11.410 --> 00:29:13.359 And Sarah sold the short and 930 00:29:13.360 --> 00:29:15.249 caster from the short that 931 00:29:15.250 --> 00:29:17.229 she was in and directed. 932 00:29:17.230 --> 00:29:19.149 But yeah, 933 00:29:19.150 --> 00:29:21.279 I mean, and it was like effortless, 934 00:29:21.280 --> 00:29:22.989 you know, they were just so there. 935 00:29:22.990 --> 00:29:24.519 But I do think that was because the 936 00:29:24.520 --> 00:29:26.889 space that Sarah created 937 00:29:26.890 --> 00:29:28.389 and it wasn't just the cast, it was 938 00:29:28.390 --> 00:29:30.699 like the crew were also supporters. 939 00:29:30.700 --> 00:29:32.559 You know, a lot of the crew members 940 00:29:32.560 --> 00:29:34.689 had been, you know, had trauma 941 00:29:34.690 --> 00:29:36.519 and had grown up in situations 942 00:29:36.520 --> 00:29:37.359 similar to this. 943 00:29:37.360 --> 00:29:39.219 And and they 944 00:29:39.220 --> 00:29:41.169 had as much support and fed 945 00:29:41.170 --> 00:29:43.089 in as much to the creative process 946 00:29:43.090 --> 00:29:44.199 as any of us there. 947 00:29:44.200 --> 00:29:45.639 You know, and that is Sarah. 948 00:29:45.640 --> 00:29:48.129 She's an extraordinary, 949 00:29:48.130 --> 00:29:49.989 extraordinary leader and leads 950 00:29:49.990 --> 00:29:51.939 with utter vulnerability and 951 00:29:51.940 --> 00:29:52.899 heart. 952 00:29:52.900 --> 00:29:55.119 And there should be more people 953 00:29:55.120 --> 00:29:56.120 like her. 954 00:29:57.910 --> 00:29:58.449 Yes, it. 955 00:29:58.450 --> 00:29:59.560 Was very true. 956 00:30:01.330 --> 00:30:02.769 We have time for one more audience 957 00:30:02.770 --> 00:30:04.240 question, if there is one. 958 00:30:05.910 --> 00:30:06.930 I see a hand up. 959 00:30:08.870 --> 00:30:09.919 Wait for the usher to come up, 960 00:30:09.920 --> 00:30:10.920 please. 961 00:30:17.290 --> 00:30:18.609 Hi. Oh, my God. 962 00:30:18.610 --> 00:30:19.689 It's a lot. Okay. 963 00:30:19.690 --> 00:30:20.289 I'm doing. 964 00:30:20.290 --> 00:30:22.209 Great. Safe space. 965 00:30:22.210 --> 00:30:23.559 We're all in this together. 966 00:30:23.560 --> 00:30:25.089 It's like you're in the attic, 967 00:30:25.090 --> 00:30:26.090 right? 968 00:30:26.950 --> 00:30:29.139 I was really moved by the line about 969 00:30:29.140 --> 00:30:30.579 finding faith in God. 970 00:30:30.580 --> 00:30:32.139 That's separate from power and 971 00:30:32.140 --> 00:30:33.140 religion. 972 00:30:33.840 --> 00:30:35.369 And my experience and faith has 973 00:30:35.370 --> 00:30:37.769 certainly been similar, but around 974 00:30:37.770 --> 00:30:39.749 other people who believe in God. 975 00:30:39.750 --> 00:30:41.849 I found a little bit of discrepancy 976 00:30:41.850 --> 00:30:42.959 around the topic of being 977 00:30:42.960 --> 00:30:45.239 transgender and 978 00:30:45.240 --> 00:30:46.469 which I am. 979 00:30:46.470 --> 00:30:48.059 And when I saw the character of 980 00:30:48.060 --> 00:30:49.650 Melvin, I was like, really moved. 981 00:30:51.090 --> 00:30:51.929 And of course, he was, like, 982 00:30:51.930 --> 00:30:53.879 recognizable to me when they 983 00:30:53.880 --> 00:30:54.809 were calling Melvin. 984 00:30:54.810 --> 00:30:56.549 She but in the end, when they 985 00:30:56.550 --> 00:30:59.339 decided to call Melvin Melvin, 986 00:30:59.340 --> 00:31:00.899 I was interested if like that was 987 00:31:00.900 --> 00:31:02.639 rooted in the book or if that was a 988 00:31:02.640 --> 00:31:04.649 decision of Sarah and 989 00:31:04.650 --> 00:31:05.650 if it was like. 990 00:31:06.760 --> 00:31:08.559 Was that to show respect to the 991 00:31:08.560 --> 00:31:10.689 actor or was it to show respect 992 00:31:10.690 --> 00:31:12.249 to that person's journey in their 993 00:31:12.250 --> 00:31:13.149 gender? 994 00:31:13.150 --> 00:31:14.559 If that was ever a discussion, I'm 995 00:31:14.560 --> 00:31:15.909 just curious. 996 00:31:15.910 --> 00:31:17.269 I mean, that's definitely a Sarah 997 00:31:17.270 --> 00:31:18.579 question. 998 00:31:18.580 --> 00:31:19.989 And she would have an incredibly 999 00:31:19.990 --> 00:31:21.879 eloquent answer to that because 1000 00:31:21.880 --> 00:31:23.739 she does to everything I do 1001 00:31:23.740 --> 00:31:25.689 know from what we 1002 00:31:25.690 --> 00:31:27.639 have picked up in things 1003 00:31:27.640 --> 00:31:30.399 that she said in the Q&A is that 1004 00:31:30.400 --> 00:31:32.229 Nettie Melvin is a character in 1005 00:31:32.230 --> 00:31:34.119 the book, and that journey 1006 00:31:34.120 --> 00:31:36.249 is the same in the movie as it is in 1007 00:31:36.250 --> 00:31:38.169 the book. 1008 00:31:38.170 --> 00:31:40.749 But what Sarah was very keen to show 1009 00:31:40.750 --> 00:31:42.609 was that Melvin 1010 00:31:42.610 --> 00:31:44.469 was always Melvin, 1011 00:31:44.470 --> 00:31:47.169 and it wasn't the 1012 00:31:47.170 --> 00:31:48.849 traumatic act that happened to them 1013 00:31:48.850 --> 00:31:51.009 that made them make a decision 1014 00:31:51.010 --> 00:31:53.229 to become Melvin. 1015 00:31:53.230 --> 00:31:54.249 It was that they'd always been 1016 00:31:54.250 --> 00:31:56.079 Melvin, and suddenly the world made 1017 00:31:56.080 --> 00:31:58.149 more sense to them 1018 00:31:58.150 --> 00:31:59.349 in the situation they would now 1019 00:31:59.350 --> 00:32:00.969 living in, that they could be open 1020 00:32:00.970 --> 00:32:01.970 about that now. 1021 00:32:03.580 --> 00:32:05.739 But yeah, and August was 1022 00:32:05.740 --> 00:32:06.999 extraordinary. 1023 00:32:07.000 --> 00:32:08.829 And I know that August and Sarah 1024 00:32:08.830 --> 00:32:10.629 had many, many conversations about 1025 00:32:10.630 --> 00:32:12.489 it and explored that, 1026 00:32:12.490 --> 00:32:14.469 and we were just 1027 00:32:14.470 --> 00:32:16.299 lucky enough to be there to witness 1028 00:32:16.300 --> 00:32:17.920 the outcome of those conversations. 1029 00:32:19.970 --> 00:32:21.889 So, look, I want to thank 1030 00:32:21.890 --> 00:32:24.469 you again for for being here. 1031 00:32:24.470 --> 00:32:25.789 Claire and I were talking backstage 1032 00:32:25.790 --> 00:32:28.249 about how critical it is 1033 00:32:28.250 --> 00:32:30.049 to share this film, in particular 1034 00:32:30.050 --> 00:32:31.969 with audiences and to engage with 1035 00:32:31.970 --> 00:32:33.559 them. So thank you both for being 1036 00:32:33.560 --> 00:32:35.659 here. And thank you for for helping 1037 00:32:35.660 --> 00:32:37.729 us through this picture. 1038 00:32:37.730 --> 00:32:40.609 Confront rage and fear and 1039 00:32:40.610 --> 00:32:42.139 turn it into courage. 1040 00:32:42.140 --> 00:32:44.149 So thank you so much. 1041 00:32:44.150 --> 00:32:45.859 Jessie Buckley Claire Foy. 1042 00:32:45.860 --> 00:32:46.860 Thank you.